[tube a=”Westminster Legacy – The Collector’s Edition (Volume 2)” y=”YQkbfynZ3Xs” b=”Various Artists” c=”Schubert: String Quintet In C, D.956 – 1. Allegro ma non troppo|Schubert: String Quintet In C, D.956 – 2. Adagio|Schubert: String Quintet In C, D.956 – 3. Scherzo (Presto) – Trio (Andante sostenuto)|Schubert: String Quintet In C, D.956 – 4. Allegretto|Schubert: Octet In F, D.803 – 1. Adagio – Allegro|Schubert: Octet In F, D.803 – 2. Adagio|Schubert: Octet In F, D.803 – 3. Allegro vivace|Schubert: Octet In F, D.803 – 4. Thema. Andante – Var. I – VII|Schubert: Octet In F, D.803 – 5. Menuetto|Schubert: Octet In F, D.803 – 6. Andante molto – Allegro|Mendelssohn: Octet In E Flat, Op.20, MWV R20 – 1. Allegro moderato, ma con fuoco|Mendelssohn: Octet In E Flat, Op.20, MWV R20 – 2. Andante|Mendelssohn: Octet In E Flat, Op.20, MWV R20 – 3. Scherzo (Allegro leggierissimo)|Mendelssohn: Octet In E Flat, Op.20, MWV R20 – 4. Presto|Beethoven: String Quartet No.8 In E Minor, Op.59 No.2 -“Rasumovsky No. 2” – 1. Allegro|Beethoven: String Quartet No.8 In E Minor, Op.59 No.2 -“Rasumovsky No. 2” – 2. Molto adagio|Beethoven: String Quartet No.8 In E Minor, Op.59 No.2 -“Rasumovsky No. 2” – 3. Allegretto|Beethoven: String Quartet No.8 In E Minor, Op.59 No.2 -“Rasumovsky No. 2” – 4. Finale (Presto)|Dvorák: String Sextet In A Major, Op.48 – 1. Allegro moderato|Dvorák: String Sextet In A Major, Op.48 – 2. Dumka (Elegie): Poco allegretto|Dvorák: String Sextet In A Major, Op.48 – 3. Furiant (Presto)|Dvorák: String Sextet In A Major, Op.48 – 4. Finale (Tema con variazioni: Allegretto grazioso, quasi andantino)|Dvorák: String Quintet In E Flat, Op.97 – 1. Allegro non tanto|Dvorák: String Quintet In E Flat, Op.97 – 2. Allegro vivo|Dvorák: String Quintet In E Flat, Op.97 – 3. Larghetto|Dvorák: String Quintet In E Flat, Op.97 – 4. Finale (Allegro giusto)|Beethoven: Piano Sonata No.8 In C Minor, Op.13 -“Pathétique” – 1. Grave – Allegro di molto e con brio|Beethoven: Piano Sonata No.8 In C Minor, Op.13 -“Pathétique” – 2. Adagio cantabile|Beethoven: Piano Sonata No.8 In C Minor, Op.13 -“Pathétique” – 3. Rondo (Allegro)|Beethoven: Piano Sonata No.23 In F Minor, Op.57 -“Appassionata” – 1. Allegro assai|Beethoven: Piano Sonata No.23 In F Minor, Op.57 -“Appassionata” – 2. Andante con moto|Beethoven: Piano Sonata No.23 In F Minor, Op.57 -“Appassionata” – 3. Allegro ma non troppo|Beethoven: Piano Sonata No.29 In B fFat, Op.106 -“Hammerklavier” – 1. Allegro|Beethoven: Piano Sonata No.29 In B Flat, Op.106 -“Hammerklavier” – 2. Scherzo (Assai vivace – Presto – Prestissimo – Tempo I)|Beethoven: Piano Sonata No.29 In B Flat, Op.106 -“Hammerklavier” – 3. Adagio sostenuto|Beethoven: Piano Sonata No.29 In B Flat, Op.106 -“Hammerklavier” – 4. Largo – Allegro risoluto|Schubert: Fantasia For Piano In C, D.760 (Op.15) “Wanderer-Fantasie” – 1. Allegro con fuoco, ma non troppo|Schubert: Fantasia For Piano In C, D.760 (Op.15) “Wanderer-Fantasie” – 2. Adagio|Schubert: Fantasia For Piano In C, D.760 (Op.15) “Wanderer-Fantasie” – 3. Presto|Schubert: Fantasia For Piano In C, D.760 (Op.15) “Wanderer-Fantasie” – 4. Allegro|Schubert: 6 Moments musicaux, Op.94 D.780 – No.1 In C (Moderato)|Schubert: 6 Moments musicaux, Op.94 D.780 – No.2 In A Flat (Andantino)|Schubert: 6 Moments musicaux, Op.94 D.780 – No.3 In F Minor (Allegro moderato)|Schubert: 6 Moments musicaux, Op.94 D.780 – No.4 In C Sharp Minor (Moderato)|Schubert: 6 Moments musicaux, Op.94 D.780 – No.5 In F Minor (Allegro vivace)|Schubert: 6 Moments musicaux, Op.94 D.780 – No.6 In A Flat (Allegretto)|Schubert: 4 Impromptus, Op.90, D.899 – No.1 In C Minor: Allegro molto moderato|Schubert: 4 Impromptus, Op.90, D.899 – No.2 In E Flat: Allegro|Schubert: 4 Impromptus, Op.90, D.899 – No.3 In G Flat: Andante|Schubert: 4 Impromptus, Op.90, D.899 – No.4 In A Flat: Allegretto|Franck: Prélude, Chorale et Fugue – Prélude|Franck: Prélude, Chorale et Fugue – Chorale|Franck: Prélude, Chorale et Fugue – Fugue|Franck: Prélude, Aria et Final – Prélude|Franck: Prélude, Aria et Final – Aria|Franck: Prélude, Aria et Final – Final|Fauré: Impromptus No.2, Op.31|Fauré: Impromptus No.4, Op.91|Fauré: Impromptus No.5, Op.102|Fauré: Thème et variations, Op. 73|Fauré: Barcarolle No.6 Op.70|Fauré: Nocturne No.6 In D Flat, Op.63 – Nocturne No.6|Sor: Sonata For Guitar In C, Op.22 – 3. Menuetto|Sor: Six Short Pieces Op.5 – 5. Andante Largo|Sor: Etudes For Guitar, Op.31 – No. 20 In A Minor|Sor: Estudio In B Minor|Sor: Estudio In A Major|Sor: Fantasia – Largo|Sor: Sonata For Guitar In C, Op.22 – 4. Rondo (Allegretto)|Turina: Homenaje a Tárrega – 1. Garrotin|Turina: Homenaje a Tárrega – 2. Soleares|Turina: Fandanguillo, Op.36|Turina: Ráfaga, Op.53|de Falla: Homenaje “Le tombeau de Debussy”|빌라-로보스: 5개의 전주곡: 1번 마단조|Villa-Lobos: 5 Preludes – No. 2 In E|Villa-Lobos: 5 Preludes – No. 3 In A Minor|Villa-Lobos: 5 Preludes – No. 4 In E Minor|Villa-Lobos: 5 Preludes – No. 5 In D|Moreno Torroba: Preludio|Moreno Torroba: Sonatina – 2. Andante|Moreno Torroba: Sonatina – 3. Allegro|Moreno Torroba: Burgalesa|Schumann: Frauenliebe und -leben Op.42 – 1. Seit ich ihn gesehen|Schumann: Frauenliebe und -leben Op.42 – 2. Er, der Herrlichste von allen|Schumann: Frauenliebe und -leben Op.42 – 3. Ich kann’s nicht fassen, nicht glauben|Schumann: Frauenliebe und -leben Op.42 – 4. Du Ring an meinem Finger|Schumann: Frauenliebe und -leben Op.42 – 5. Helft mir, ihr Schwestern|Schumann: Frauenliebe und -leben Op.42 – 6. Süsser Freund, du blickest mich verwundert an|Schumann: Frauenliebe und -leben Op.42 – 7. An meinem Herzen, an meiner Brust|Schumann: Frauenliebe und -leben Op.42 – 8. Nun hast du mir den ersten Schmerz getan|Schumann: Liederkreis, Op.39 – In der Fremde|Schumann: Liederkreis, Op.39 – Intermezzo|Schumann: Liederkreis, Op.39 – Waldesgespräch|Schumann: Liederkreis, Op.39 – Die Stille|Schumann: Liederkreis, Op.39 – Mondnacht|Schumann: Liederkreis, Op.39 – Schöne Fremde|Schumann: Liederkreis, Op.39 – Auf einer Burg|Schumann: Liederkreis, Op.39 – In der Fremde (“Ich hör die Bachlein rauschen”)|Schumann: Liederkreis, Op.39 – Wehmut|Schumann: Liederkreis, Op.39 – Zwielicht|Schumann: Liederkreis, Op.39 – Im Walde|Schumann: Liederkreis, Op.39 – Frühlingsnacht|Respighi: Il tramonto – Version For Soprano And String Quartet|Duparc: L Invitation Au Voyage|Duparc: La vie antérieure|Duparc: Extase|Duparc: Testament|Duparc: Sérénade florentine|Duparc: Le manoir de Rosemonde|Duparc: La vague et la cloche|Duparc: Lamento|Duparc: Élégie|Duparc: Phidylé|Duparc: Chanson triste|Duparc: Serenade|Duparc: Soupir|Duparc: Au Pays Ou Se Fait La Guerre|Beethoven: Christus am Oelberge (Christ On The Mount Of Olives) – Introduktion. Grave – Adagio|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Jehova, du mein Vater!”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Arie: “Meine Seele ist erschüttert”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Erzittre, Erde”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Arie: “Preist des Erlösers Güte”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Chor der Engel: “O Heil euch, ihr Erlösten”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Verkündet, Seraph, mir dein Mund Erbarmen”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Duett: “So ruhe denn mit ganzer Schwere”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Willkommen, Tod”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Chor der Krieger: “Wir haben ihn gesehen”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Die mich zu fangen ausgezogen sind”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Chor der Krieger: “Hier ist er, der Verbannte”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Rezitativ: “Nicht ungestraft soll der Verweg’nen”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Terzett: “In meinen Adern wühlen gerechter Zorn”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Chor der Engel: “Welten singen Dank und Ehre”|Beethoven: Christus am Oelberge (Christ on the Mount of Olives) – Chor: “Preiset ihn, ihr Engelchöre”|Mozart: An Chloë, K.524|Mozart: Oiseaux, si tous les ans K.307/K.284d|Mozart: Ridente la calma, K.152|Mozart: Un moto di gioia mi sento, K.579|Mozart: Das Veilchen, K.476|J.S. Bach: Mass In B Minor, BWV 232 / Kyrie – Kyrie Eleison|J.S. Bach: Mass In B Minor, BWV 232 / Kyrie – Christe eleison|J.S. Bach: Mass In B Minor, BWV 232 / Kyrie – Kyrie eleison|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Gloria in excelsis Deo|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Et in terra pax|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Laudamus te|J.S. Bach: Mass In B Minor, BWV 232/ Gloria – Gratias agimus tibi|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Domine Deus|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Qui tollis peccata mundi|J.S. Bach: Mass In B Minor, BWV 232/ Gloria – Qui sedes ad dexteram Patris|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Quoniam tu solus sanctus|J.S. Bach: Mass In B Minor, BWV 232 / Gloria – Cum Sancto Spiritu|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Credo in unum Deum|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Patrem omnipotentem|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Et in unum Dominum|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Et incarnatus est|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Crucifixus|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Et resurrexit|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Et in Spiritum Sanctum|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Confiteor unum baptisma|J.S. Bach: Mass In B Minor, BWV 232 / Credo – Et expecto resurrectionem|J.S. Bach: Mass In B Minor, BWV 232 / Sanctus – Sanctus|J.S. Bach: Mass In B Minor, BWV 232 / Sanctus – Osanna in excelsis (I)|J.S. Bach: Mass In B Minor, BWV 232 / Sanctus – Benedictus|J.S. Bach: Mass In B Minor, BWV 232 / Sanctus – Osanna in excelsis (II)|J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei – Agnus Dei|J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei – Dona nobis pacem|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 1. Introitus: Requiem|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 2. Kyrie|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Dies irae|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Tuba mirum|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Rex tremendae|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Recordare|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Confutatis|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 3. Sequentia: Lacrimosa|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 4. Offertorium: Domine Jesu|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 4. Offertorium: Hostias|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 5. Sanctus|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 6. Benedictus|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 7. Agnus Dei|Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) – 8.Communio: Lux aeterna|Handel: Rodelinda – Ouverture|Handel: Rodelinda – Menuet|Handel: Rodelinda – No.1 Aria: “Ho perduto il caro sposo”|Handel: Rodelinda – Recitativo: “Regina?/Grimoaldo, nel mio presente stato”|Handel: Rodelinda – No.2 Aria: “L’empio rigor del fato”|Handel: Rodelinda – Recitativo: “E tanto, da che sei re”|Handel: Rodelinda – No. 3 Aria: “Io già t’amai”|Handel: Rodelinda – Recitativo: “E tu dici d’amarmi?”|Handel: Rodelinda – No. 4 Aria: “Lo farò, dirò: spietato”|Handel: Rodelinda – Recitativo: “Eduige, t’inganni”|Handel: Rodelinda – No. 5 Aria: “Di Cupido impiego i vanni”|Handel: Rodelinda – No. 6 Sinfonia ed Accompagnato: “Pompe vane di morte”|Handel: Rodelinda – No. 7 Aria: “Dove sei, amato bene?”|Handel: Rodelinda – Recitativo: “Ma giunge Unulfo, oh Dio!”|Handel: Rodelinda – No. 8 Aria: “Ombre, piante, urne funeste”|Handel: Rodelinda – No. 9 Accompagnato e Recitativo: “Ombra del mio bel sol – Deh, lascia!/ No, signor”|Handel: Rodelinda – Recitativo: “Baci inutili e vani”|Handel: Rodelinda – No. 10 Aria: “Morrai, sì; l’empia tua testa”|Handel: Rodelinda – Recitativo: E ben, duca, poss’io all’ardor”|Handel: Rodelinda – No. 11 Aria: “Se per te giungo a godere”|Handel: Rodelinda – No. 12 Accompagnato: “Sì, l’infida consorte”|Handel: Rodelinda – No. 13 Aria: “Confusa si miri”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Già perdesti…Rodelinda, sì mesta ritorni”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 14 Aria: “De’ miei scherni per far le vendette”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: Rodelinda, è pur ver?”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 15 Aria: Spietati, io vi giurai”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: Unulfo, Garibaldo, in questo seno”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 16 Aria: “Prigioniera ho l’alma in pena”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Massime così indegne”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 17 Aria: “Tirannia gli diede il regno”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Perché con soli intanto l’afflitto”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 18 Aria: “Fra tempeste funeste”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 19 Aria e Recitativo: “Con rauco mormorio – Dell’estinto germano”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Ah no, che non m’inganna”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 20 Aria: “Scacciata dal suo nido”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Vive il mio sposo?”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 21 Aria: “Ritorna, o caro e dolce mio tesoro”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Ah sì! ecco lo sposo!”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 22 Aria: “Tuo drudo è mio rivale”|Handel: Rodelinda – Rodelinda: Atto Secondo – Recitativo: “Non ti bastò, consorte”|Handel: Rodelinda – Rodelinda: Atto Secondo – No. 23 Duetto: “Io t’abbraccio”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “Del german nel periglio”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 24 Aria: “Un zeffiro spirò”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “Con opra giusta io cancellar disegno”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 25 Aria: “Quanto più fiera tempesta freme”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “O falso è Bertarido o fu mendace”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 26 Aria: “Tra sospetti, affetti e timori”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 27 Arioso: “Chi di voi fu più infedele”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 28 Accompagnato e Recitativo: “Ma non so che dal remoto balcon…Non temere. Signore? Germano?”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 29 Aria: “Se ‘l mio duol non è si forte”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “Amico, ah! che a me duole”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 30 Aria: “Se fiera belva ha cinto”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 31 Accompagnato: “Fatto inferno è il mio petto”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 32 Aria: “Pastorello d’un povero armento”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “Che miro? Amica sorte…Ecco ti innanzi il reo”|Handel: Rodelinda – Rodelinda: Atto Terzo – No. 33 Aria: “Mio caro bene”|Handel: Rodelinda – Rodelinda: Atto Terzo – Recitativo: “Sposa, figlio, sorella, amici”|Handel: Rodelinda – Rodelinda: Atto Terzo – Coro: “Dopo la notte oscura”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 1 – Introduction|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 1 – Prologue: “D’anciennes haines endormies”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 1 – Strophes 1 & 2: “Premiers transports” / “Heureux enfants”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 1 – Récitatif et Scherzetto: “Bientôt de Roméo” – “Mab! la messagère” – “Bientôt la mort est souveraine”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 2 – Roméo seul – Tristesse Grande fête chez Capulets|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 3 – “Ohé! Capulets! bonsoir, bonsoir!”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 4 – Scherzo. La Reine Mab ou la Fée des songes|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 5 – Convoi funebre “Jetez des fleurs pour la vierge expirée”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 6 – Romeo au tombeau des Capulets|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 7 – Final. “Quoi! Roméo de retour! Roméo”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 7 – Final. “Pauvres enfants que je pleure”|Berlioz: Roméo et Juliette, Op.17, H 79 / Part 7 – Final. “Jurez donc, par l’auguste symbole”|Berlioz: Symphonie fantastique, Op.14 – 1. Rêveries. Passions (Largo – Allegro agitato ed appassionato assai)|Berlioz: Symphonie fantastique, Op.14 – 2. Un bal (Valse: Allegro non troppo)|Berlioz: Symphonie fantastique, Op.14 – 3. Scène aux champs (Adagio)|Berlioz: Symphonie fantastique, Op.14 – 4. Marche au supplice (Allegretto non troppo)|Berlioz: Symphonie fantastique, Op.14 – 5. Songe d’une nuit du Sabbat (Larghetto – Allegro – Ronde du Sabbat: Poco meno mosso)|Donizetti: Linda di Chamounix / Act 1 – Ah! tardai troppo… O luce di quest’anima|Bellini: I Capuleti e i Montecchi / Act 1 – Eccomi…Oh! quante volte|Donizetti: Lucia di Lammermoor – Act 1. – Ancor non giunse!…Regnava nel silenzio|Donizetti: Roberto Devereux – Act 3 – “E Sara in questi orribili momenti”..”Vivi, ingrato”|Bellini: La Sonnambula – “Care compagne… come per me sereno”|Donizetti: Rosmonda d’Inghilterra – “Ancor non giunse”…”Perchè non ho del vento”|Massenet: Manon – Act 3 – Je marche sur tous les chemins…Oui, dans les bois|Thomas: Mignon / Act 2 – “Oui! pour ce soir… Je suis Titania”” d=”Universal Music Group” e=”2014.01.06″ f=”클래식|실내악|협주곡|독주곡|교향/관현악|오페라/성악” g=”2250582″ t=”0″ i=”various-artists” j=”Leopold Wlach|Paul Badura-Skoda|Vienna State Opera Orchestra|Hilde Rossel Majdan|Allan Rogers|Vienna Academy Chorus|Jussi Jalas|Frederick Guthrie|Pierre Monteux|Beverly Sills|Martin Isepp|Various Artists|Otto Wiener|London Symphony Chorus|London Symphony Orchestra|Leopold Simoneau|Helen Watts|Jan Peerce|Royal Philharmonic Orchestra|Regina Resnik|Barylli Quartet|Andre Turp|Wiener Akademie-Chor|Franz Holletschek|Alexander Young|Richard Strabl|Egon Petri|Gottfried Von Freiberg|Janacek Quartet|Brian Priestman|Joseph Hermann|Wiener Konzerthaus Quartett|Lucretia West|Rene Leibowitz|Maria Stader|Ambrosian Opera Chorus|Jorg Demus|Smetana Quartet|Gunther Weissenborn|Hermann Scherchen|Pierrette Alarie|Sena Jurinac|Nan Merriman|Teresa Stich-Randall|Sonja Draksler|Gustav Neidlinger|Maureen Forrester|David Ward|Karl Oehlberger|Julian Bream|Vienna Volksoper Orchestra|Wolfgang Herzer|Charles Mackerras|Vienna Academy Chamber Choir|Wiener Akademie Kammerchor|Hans Loeffler|John Boyden|European String Quartet” k=”leopold-wlach|paul-badura-skoda|vienna-state-opera-orchestra|hilde-rossel-majdan|allan-rogers|vienna-academy-chorus|jussi-jalas|frederick-guthrie|pierre-monteux|beverly-sills|martin-isepp|various-artists|otto-wiener|london-symphony-chorus|london-symphony-orchestra|leopold-simoneau|helen-watts|jan-peerce|royal-philharmonic-orchestra|regina-resnik|barylli-quartet|andre-turp|wiener-akademie-chor|franz-holletschek|alexander-young|richard-strabl|egon-petri|gottfried-von-freiberg|janacek-quartet|brian-priestman|joseph-hermann|wiener-konzerthaus-quartett|lucretia-west|rene-leibowitz|maria-stader|ambrosian-opera-chorus|jorg-demus|smetana-quartet|gunther-weissenborn|hermann-scherchen|pierrette-alarie|sena-jurinac|nan-merriman|teresa-stich-randall|sonja-draksler|gustav-neidlinger|maureen-forrester|david-ward|karl-oehlberger|julian-bream|vienna-volksoper-orchestra|wolfgang-herzer|charles-mackerras|vienna-academy-chamber-choir|wiener-akademie-kammerchor|hans-loeffler|john-boyden|european-string-quartet” l=”universal-music-group” m=”keulraesig|silnaeag|hyeobjugog|dogjugog|gyohyang-gwanhyeonag|opera-seongag” n=”” h=””]