[tube a=”The Complete Deutsche Grammophon Recordings” y=”0LZldunVVvA” b=”Various Artists” c=”Henze : Symphony No.1 (1947) (New Ver. For Chamber Orchestra 1963) – I. Allegretto Con Grazia (헨체 : 교향곡 1번 – 1악장)|Henze : Symphony No.1 (1947) (New Ver. For Chamber Orchestra 1963) – II. Notturno. Lento (헨체 : 교향곡 1번 – 2악장)|Henze : Symphony No.1 (1947) (New Ver. For Chamber Orchestra 1963) – III. Allegro Con Moto (헨체 : 교향곡 1번 – 3악장)|Henze : Symphony No.5 (1962) (For Large Orchestra) – I. Movimentato For Large Orchestra (헨체 : 교향곡 5번 – 1악장)|Henze : Symphony No.5 (1962) (For Large Orchestra) – II. Adagio (헨체 : 교향곡 5번 – 2악장)|Henze : Symphony No.5 (1962) (For Large Orchestra) – III. Moto Perpetuo (헨체 : 교향곡 5번 – 3악장)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.I – Crotchet = 92 (헨체 : 교향곡 6번 – 1부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.I – Un Poco Meno Mosso (헨체 : 교향곡 6번 – 1부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.I – Meno Mosso (헨체 : 교향곡 6번 – 1부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.I – Corona (헨체 : 교향곡 6번 – 1부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.I – Meno Mosso Del Tempo I (헨체 : 교향곡 6번 – 1부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Lento (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Song To Freedom (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Largo (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Dotted Crotchet = 66 (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Crotched = 66 (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.II – Crotchet = 92 (헨체 : 교향곡 6번 – 2부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.III – Piu Mosso (헨체 : 교향곡 6번 – 3부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.III – Meno Mosso (헨체 : 교향곡 6번 – 3부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.III – Piu Mosso. Con Fuoco (헨체 : 교향곡 6번 – 3부)|Henze : Symphony No.6 (1969) (For Two Chamber Orchestras) Part.III – Dotted Crotchet = 100 (헨체 : 교향곡 6번 – 3부)|Henze : Symphony No.2 (1949) (For Large Orchestra) – I. Lento (헨체 : 교향곡 2번 – 1악장)|Henze : Symphony No.2 (1949) (For Large Orchestra) – II. Allegro Molto Vivace (헨체 : 교향곡 2번 – 2악장)|Henze : Symphony No.2 (1949) (For Large Orchestra) – III. Adagio (헨체 : 교향곡 2번 – 3악장)|Henze : Symphony No.3 (1949-50) (For Large Orchestra) – I. Invocation Of Apollo (헨체 : 교향곡 3번 – 1악장)|Henze : Symphony No.3 (1949-50) (For Large Orchestra) – II. Dithyramb Moderato (헨체 : 교향곡 3번 – 2악장)|Henze : Symphony No.3 (1949-50) (For Large Orchestra) – III. Conjuring Dance (헨체 : 교향곡 3번 – 3악장)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 50 (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 100 (T./b. 15) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 80 (T. 49) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 80 (T.72) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 80 (T.155) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Dotted Crotched = 84 (T.205) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Crotched = 132 (T.272) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Molto Ritardando (T.418) (헨체 : 교향곡 4번)|Henze : Symphony No.4 (1955) (For Large Orchestra) – Quaver = 92 (T.460) (헨체 : 교향곡 4번)|Henze : Sonata For Strings – I. Allegro (헨체 : 현을 위한 소나타 – 1악장)|Henze : Sonata For Strings – II. 32 Variazioni (헨체 : 현을 위한 소나타 – 2악장)|Henze : Double Concerto For Oboe, Harp And Strings (1966) – = C.112 – (헨체 : 오보에와 현을 위한 이중 협주곡)|Henze : Double Concerto For Oboe, Harp And Strings (1966) – Andante ( = 50) – (헨체 : 오보에와 현을 위한 이중 협주곡)|Henze : Double Concerto For Oboe, Harp And Strings (1966) – = 80 – (헨체 : 오보에와 현을 위한 이중 협주곡)|Henze : Double Concerto For Oboe, Harp And Strings (1966) – Andante ( = 80) (헨체 : 오보에와 현을 위한 이중 협주곡)|Henze : Fantasia For Strings – I. Adagio (헨체 : 현을 위한 환상곡 – 1악장)|Henze : Fantasia For Strings – II. Tempo Eines Trauermarsches (헨체 : 현을 위한 환상곡 – 2악장)|Henze : Fantasia For Strings – III. Espressivo (헨체 : 현을 위한 환상곡 – 3악장)|Henze : Fantasia For Strings – IV. Allegro Moderato. Meno Mosso (헨체 : 현을 위한 환상곡 – 4악장)|Henze : Fantasia For Strings – V. Air – Pastorale – Air (헨체 : 현을 위한 환상곡 – 5악장)|Henze : Fantasia For Strings – VI. Vivace – Epilogo. Adagio (헨체 : 현을 위한 환상곡 – 6악장)|Henze : Concerto For Violin And Orchestra No.1 (1947) – I. Largamente. Rubato. Allegro Molto (헨체 : 바이올린 협주곡 1번 – 1악장)|Henze : Concerto For Violin And Orchestra No.1 (1947) – II. Vivacissimo(Tempo I) – Alla marcia (Tempo II) (헨체 : 바이올린 협주곡 1번 – 2악장)|Henze : Concerto For Violin And Orchestra No.1 (1947) – III. Andante Con Moto (헨체 : 바이올린 협주곡 1번 – 3악장)|Henze : Concerto For Violin And Orchestra No.1 (1947) – IV. Allegro Molto Vivace (헨체 : 바이올린 협주곡 1번 – 4악장)|Henze : Ode To The West Wind (1953) (Music For Violoncello And Orchestra Based On Poem By P.B. Shelley) – I. Calmo. Attaca (헨체 : 서풍의 노래 – 1악장)|Henze : Ode To The West Wind (1953) (Music For Violoncello And Orchestra Based On Poem By P.B. Shelley) – II. Vivo (헨체 : 서풍의 노래 – 2악장)|Henze : Ode To The West Wind (1953) (Music For Violoncello And Orchestra Based On Poem By P.B. Shelley) – III. Tranquillo (헨체 : 서풍의 노래 – 3악장)|Henze : Ode To The West Wind (1953) (Music For Violoncello And Orchestra By P.B. Shelley) – IV. Tempo D’una Marcia Solenne. Ma Non Lenta. Attacca (헨체 : 서풍의 노래 – 4악장)|Henze : Ode To The West Wind (1953) (Music For Violoncello And Orchestra Based On Poem By P.B. Shelley) – V. Grave. Come Un Inno (헨체 : 서풍의 노래 – 5악장)|Henze : Concerto For Double Bass (1966) – I. Moderato Cantabile (헨체 : 더블 베이스 협주곡 – 1악장)|Henze : Concerto For Double Bass (1966) – II. Vivace (헨체 : 더블 베이스 협주곡 – 2악장)|Henze : Concerto For Double Bass (1966) – III. Ciacona (헨체 : 더블 베이스 협주곡 – 3악장)|Henze : Concerto For Piano And Orchestra No.2 – I. Moderato (헨체 : 피아노 협주곡 2번 – 1악장)|Henze : Concerto For Piano And Orchestra No.2 – II. Vivace – Meno Mosso – Tempo (헨체 : 피아노 협주곡 2번 – 2악장)|Henze : Concerto For Piano And Orchestra No.2 – III. Moderato (헨체 : 피아노 협주곡 2번 – 3악장)|Henze : Concerto For Piano And Orchestra No.2 – IV. Vivace (헨체 : 피아노 협주곡 2번 – 4악장)|Henze : Concerto For Piano And Orchestra No.2 – V. Lento (헨체 : 피아노 협주곡 2번 – 5악장)|Henze : Concerto For Piano And Orchestra No.2 – VI. Vivace (헨체 : 피아노 협주곡 2번 – 6악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – I. Prologue (헨체 : 트리스탄 – 1악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – II. Lament (헨체 : 트리스탄 – 2악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – III. Preludes And Variations (헨체 : 트리스탄 – 3악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – IV. Tristan’s Folly (헨체 : 트리스탄 – 4악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – V. Adagio – Burla I (Valse) – Burla II (Alla Turca) – Ricercare I – Burla III (Marcia) – Ricercare II (헨체 : 트리스탄 – 5악장)|Henze : Tristan (1973) (Preludes For Piano, Tapes And Orchestra) – VI. Epilogue (헨체 : 트리스탄 – 6악장)|Henze : Ballet Variations (1949) – V. Poco Allegretto (헨체 : 발레 변주곡 – 5번)|Henze : Ballet Variations (1949) – IV. Allegro Marciale (헨체 : 발레 변주곡 – 6번)|Henze : Drei Tientos Fur Gitarre Tiento No.1 (헨체 : 3개의 기타 티엔토 1번)|Henze : Drei Tientos Fur Gitarre Tiento No.2 (헨체 : 3개의 기타 티엔토 2번)|Henze : Drei Tientos Fur Gitarre Tiento No.3 (헨체 : 3개의 기타 티엔토 3번)|Henze : Five Neapolitan Songs (1956) (For Baritone And Chamber Orchestra) – I. Aggio Saputo Ca La Morte Vene (헨체 : 5개의 나폴리의 노래 – 1번)|Henze : Five Neapolitan Songs (1956) (For Baritone And Chamber Orchestra) – II. A l’acqua De Li Ffuntanelle (헨체 : 5개의 나폴리의 노래 – 2번)|Henze : Five Neapolitan Songs (1956) (For Baritone And Chamber Orchestra) – III. Amaie ‘Na Nenne Pe’ Tridece Mise (헨체 : 5개의 나폴리의 노래 – 3번)|Henze : Five Neapolitan Songs (1956) (For Baritone And Chamber Orchestra) – IV. Amaie ‘Nu Ninno Cu’ Sudore E Stiente (헨체 : 5개의 나폴리의 노래 – 4번)|Henze : Five Neapolitan Songs (1956) (For Baritone And Chamber Orchestra) – V. Arbero Piccerillo. Te Chiantaie (헨체 : 5개의 나폴리의 노래 – 5번)|Henze : Whispers From Heavenly Death (1948) – I. Darest Thou Now, O Soul. Moderato (헨체 : 죽음으로부터 온 속삭임 – 1번)|Henze : Whispers From Heavenly Death (1948) – II. No Map There. Tranquillo (헨체 : 죽음으로부터 온 속삭임 – 2번)|Henze : Whispers From Heavenly Death (1948) – III. I Know It Not, O Soul. Adagio (헨체 : 죽음으로부터 온 속삭임 – 3번)|Henze : Whispers From Heavenly Death (1948) – IV. Till When The Ties Loosen. Allegro (헨체 : 죽음으로부터 온 속삭임 – 4번)|Henze : Whispers From Heavenly Death (1948) – V. Then We Burst Torth. Allegro Molto (헨체 : 죽음으로부터 온 속삭임 – 5번)|Henze : Being Beauteous (1963) Cantata From ‘Illuminations’ (1872/73) (헨체 : 아름다워지기)|Henze : Essay On Pigs (1968) Based On A Poem By Gaston Salvatore (Versuch Uber Schweine) – Deine Versuche Sind|Henze : Essay On Pigs (1968) Based On A Poem By Gaston Salvatore Langer Exkurs Fur Entenlockflote – Einmal Hieb Es Von Ihm|Henze : Essay On Pigs (1968) Based On A Poem By Gaston Salvatore Abschiedsformeln – Es Ist Nicht Strafbar|Henze : Essay On Pigs (1968) Based On A Poem By Gaston Salvatore Feststellung – Besser Ist Es|Henze : Essay On Pigs (1968) Based On A Poem By Gaston Salvatore Muder Anlauf Und Vorlaufiges Ende – Der Verstorbene Naive|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Solo Chi Ama Conosce. Andante Ma Non Troppo|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Sei Tu Giulietta?. Allegretto|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Sono I Tuoi Giorni Un Prato Lucente. Allegretto|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Tu Eri Il Paggio Favorito Alla Corte D’Oriente. Allegretto. Lo Stesso Tempo|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – La Bella Trama, Adorata Dal Mio Cuore|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Quando Mi Sei Vicino. Andante|Henze : Cantata Of The Ultimate Fable On The Poem ‘Tu Sei La Fiaba Estrema’ – Passa La Cacciatrice Lunare. Meno Mosso|Henze : Muses Of Sicily (1966) – I. Pastorale (헨체 : 시칠리아의 뮤즈 – 1번)|Henze : Muses Of Sicily (1966) – II. Adagio (헨체 : 시칠리아의 뮤즈 – 2번)|Henze : Muses Of Sicily (1966) – III. Silenus. Vivace (헨체 : 시칠리아의 뮤즈 – 3번)|Henze : Moralities (1967) – I. In Urzeiten Lebten Friedlich – Higgeli Pigelli (헨체 : 도덕극 – 1번)|Henze : Moralities (1967) – II. Ehe Zeit War, Zu Des Anfangs Beginn – Schwarz Sollt Ihr Sein (헨체 : 도덕극 – 2번)|Henze : Moralities (1967) – III. Ein Schiff Stach In See, Verlieb Den Hafen – Rauh Wird Die Nacht (헨체 : 도덕극 – 3번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang Prolog – Des Charon (헨체 : 메두사의 뗏목 – 1부)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – I. Motto (Pascal ‘Pensees’ Aus Dem 383. Fragment) (헨체 : 메두사의 뗏목 – 1부. 1번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – II. Ordre Und Musterrolle (헨체 : 메두사의 뗏목 – 1부. 2번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – III. Journal Der Uberfahrt (헨체 : 메두사의 뗏목 – 1부. 3번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – IV. Eine Antwort (헨체 : 메두사의 뗏목 – 1부. 4번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – V. Versuche Zur Rettung (헨체 : 메두사의 뗏목 – 1부. 5번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – VI. Die Ausschiffung (헨체 : 메두사의 뗏목 – 1부. 6번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – VII. Ballade Vom Verrat (헨체 : 메두사의 뗏목 – 1부. 7번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – VIII. Gesang Mit Neun Stimmen (헨체 : 메두사의 뗏목 – 1부. 8번)|Henze : Das Flob Der Medusa Part.I Die Einschiffung Zum Untergang – IX. Anweisungen Fur Den Zweiten Tag (헨체 : 메두사의 뗏목 – 1부. 9번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – X. Feststellung Der Lage (헨체 : 메두사의 뗏목 – 2부. 10번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XI. Motto (Pascal, Aus Dem 205.-207. Und 347. Fragment Der ‘Pensees’) (헨체 : 메두사의 뗏목 – 2부. 11번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XII. Appell Unter Dem Mond (헨체 : 메두사의 뗏목 – 2부. 12번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XIII. Die Rechnung Zum Tode (헨체 : 메두사의 뗏목 – 2부. 13번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XIV. Die Ballade Vom Mann Auf Dem Flob (헨체 : 메두사의 뗏목 – 2부. 14번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XV. Fuge Der Uberlebenden Und Ankundigung Der Rettung (헨체 : 메두사의 뗏목 – 2부. 15번)|Henze : Das Flob Der Medusa Part.II Die Neunte Nacht Und Der Morgen – XVI. Finale (헨체 : 메두사의 뗏목 – 2부. 16번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – I. Die Welt (The World – Le Monde) (헨체 : 엘 시마론 – 1번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – II. Der Cimarron (헨체 : 엘 시마론 – 2번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – III. Die Sklaverei (Slavery – L’esclavage) (헨체 : 엘 시마론 – 3번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – IV. Die Flucht (Flight – La Fuite) (헨체 : 엘 시마론 – 4번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – V. Der Wald (The Forest – La Foret) (헨체 : 엘 시마론 – 5번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – VI. Die Geister (The Spirits – Les Fantomes) (헨체 : 엘 시마론 – 6번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – VII. Die falsche Freiheit (False Freedom – La Fausse Liberte) (헨체 : 엘 시마론 – 7번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – VIII. Die Frauen (Women – Les Femmes) (헨체 : 엘 시마론 – 8번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – IX. Die Maschinen (The Machines – Les Machines) (헨체 : 엘 시마론 – 9번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – X. Die Pfarrer (The Clergy – Les Pretres) (헨체 : 엘 시마론 – 10번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – XI. Der Aufstand (The Uprising – Le Soulevement) (헨체 : 엘 시마론 – 11번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – XII. Die Schlacht Von Mal Tiempo (The Battle Of / La Bataille De Mal Tiempo) (헨체 : 엘 시마론 – 12번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – XIII. Der Schlechte Sieg (The Evil Victory – La Mauvaise Victoire) (헨체 : 엘 시마론 – 13번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – XIV. Die Freundlichkeit (Friendliness – L’amabilite) (헨체 : 엘 시마론 – 14번)|Henze : El Cimarron (1969-1970) – The Autobiography Of The Runaway Slave Esteban Montejo – Recital For Four Musicans – XV. Das Messer (The Knife – Le Couteau) (헨체 : 엘 시마론 – 15번)|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – I. Planimetry|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – II. Attempts At Molestation|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – III. The Veiled Messengers|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – IV. The Listless Spy|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – V. Introduction To The Difficult Bourgeoisie|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – VI. The Difficult Bourgeoisie. Attempted Return No.1|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – VII. Attempted Return No.2|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – VIII. Attempted Return No.3|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – IX. Geodesy|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – X. Speech Practice|Henze : The Tedious Way To Natascha Ungeheuer’s Apartment (Show For 17 Performers) – XI. Metaenthes|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Ah! Schnee Fallt Aufs Blutenmeer|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Gut. Gut. Genau Wie Es Mir Passte|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Wie Reizend Du Bist!|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Nimm Platz, Mein Kind|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Du Mein, Ganz Mein|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Aus Dem Garten, Paradiesisch|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Schon Morgen Von Den Bergen|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Gruss Gott. Auf ein Wort nur|Henze : Scenes From ‘Elegy For Young Lovers’ German Ver. By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze – Eins. Zwei. Drei. Vier. Wen Bewundern Wir?|Henze : Der Junge Lord Act.I Introduction – Herr Professor, Ich Nehme Kein Blatt..|Henze : Der Junge Lord Act.I – Ob Eer Uns Gefallen Wird Oder Nicht?|Henze : Der Junge Lord Act.I – O Ida, Liebste Ida|Henze : Der Junge Lord Act.I – Zu Uns Kommt Ein Edelmann|Henze : Der Junge Lord Act.I – Vivat! Vivat! Hoch Lebe Der Reiche, Englische Herr!|Henze : Der Junge Lord Act.I – Hu, Kaltes Land – Und Leute Gaffen|Henze : Der Junge Lord Act.I – Er Ist Es / Ist Das Sir Edgar?|Henze : Der Junge Lord Act.I – Entr’acte|Henze : Der Junge Lord Act.I – Mein Liebes Kind|Henze : Der Junge Lord Act.I – Frau Baronin. Der Mohr Ist Da|Henze : Der Junge Lord Act.I – Dieser Mensch Tauscht Sich|Henze : Der Junge Lord Act.I – Zwischenspiel|Henze : Der Junge Lord Act.I – Hochverehrtes Publikum!|Henze : Der Junge Lord Act.I – Der Englander Ist Aus Dem Haus|Henze : Der Junge Lord Act.I – Hochverehrtes Publikum|Henze : Der Junge Lord Act.I – Im Namen Des Gesetzes Dieser Stadt|Henze : Der Junge Lord Act.I – Wir Sind Ihm Nicht Gut Genug – Notturno|Henze : Der Junge Lord Act.II – Hu, Der Bose Mohr, Der So Schwarz Wie Sunde Ist!|Henze : Der Junge Lord Act.II – Leibhaftiger! Geister Sind’s Nicht|Henze : Der Junge Lord Act.II – Meine Luise … Oh, Mein Wilhelm|Henze : Der Junge Lord Act.II – Ihr Herren, Hierher!|Henze : Der Junge Lord Act.II – Er Wird Ihre Balle Und Auch Alle Die Konzerte|Henze : Der Junge Lord Act.II – Zwischenspiel|Henze : Der Junge Lord Act.II – Man Nimmt Ein Halbes Pfund Goldenen Sirup|Henze : Der Junge Lord Act.II – Nur Zu Gerne … Und Mit Grober Erwartung|Henze : Der Junge Lord Act.II – Welche Freude!|Henze : Der Junge Lord Act.II – Dieser Flegelhafte Mensch!|Henze : Der Junge Lord Act.II – Es Ist Genug, Was Dieser Herr Sich herausnimmt!|Henze : Der Junge Lord Act.II – Zwischenspiel|Henze : Der Junge Lord Act.II – Diese Benommenheit|Henze : Der Junge Lord Act.II – Wo Bin Ich Denn Geblieben?|Henze : Der Junge Lord Act.II – Walzer Der Debatantinnen|Henze : Der Junge Lord Act.II – Eine Gewisse Nationale Roheit|Henze : Der Junge Lord Act.II – Es Wird Schreckliches Geschehen|Henze : Der Junge Lord Act.II – Steht Uns Kein Himmel Bei?|Henze : Undine – I. Lento|Henze : Undine – IIa. Allegretto|Henze : Undine – IIb. Andante|Henze : Undine – IIc. Vivace|Henze : Undine – III. Moderato|Henze : Undine – IVa. Adagio|Henze : Undine – IVb. Adagio|Henze : Undine – V. Andante Con Moto|Henze : Undine – VIa. Adagio|Henze : Undine – VIb. Vivace|Henze : Undine – VII. Vivace Assai|Henze : Undine – VIII. Andante|Henze : Undine – IX. Allegro Assai|Henze : Undine – X. Vivace|Henze : Undine – Largo|Henze : Undine – XI. Adagio|Henze : Undine – Tranquillo|Henze : Undine – Lento|Henze : Undine – Finale. Allegro|Henze : Undine – Finale. End|Henze : Undine – I. Moderato|Henze : Undine – II. Andantino Con Moto|Henze : Undine – III. = 80|Henze : Undine – IVa. Andante Molto|Henze : Undine – IVb. = 44|Henze : Undine – V. Pas De Trois|Henze : Undine – Variation|Henze : Undine – VI. Vivace|Henze : Undine – VII. Molto Mosso|Henze : Undine – VIII. Finale|Henze : Undine – I. Recitativo|Henze : Undine – II. Adagio|Henze : Undine – Allegro Moderato, Con Eleganza|Henze : Undine – IIIa. Pas De Seize – Entree|Henze : Undine – Adagio|Henze : Undine – IIIb. Variation|Henze : Undine – IIIc. Variation|Henze : Undine – IIIe. Coda|Henze : Undine – IV. Scene|Henze : Undine – Va. Divertissement – Entree|Henze : Undine – Vb. Pas De Six|Henze : Undine – Vc. Pas De Trois I|Henze : Undine – Vd. Pas De Trois II|Henze : Undine – Ve. Pas De Dix-huit|Henze : Undine – Vf. Variation|Henze : Undine – Vg. Variation|Henze : Undine – Vh. Variation|Henze : Undine – Vi. Pas De Six|Henze : Undine – Vj. Coda|Henze : Undine – VI. Pas D’action|Henze : Undine – Variation|Henze : Undine – VII. Finale|Henze : Undine – Dance Of Sorrow|Henze : Undine – Variation|Henze : Undine – Pas De Deux|Henze : Undine – Eglogue|Henze : Boulevard Solitude Intermezzo No.7 – = 48 (헨체 : 고독 대로 간주곡 7번)|Henze : Boulevard Solitude Intermezzo No.11 – = 40 (헨체 : 고독 대로 간주곡 11번)|Henze : Boulevard Solitude Intermezzo No.17 – Andante Con Moto (헨체 : 고독 대로 간주곡 17번)|Henze : Boulevard Solitude Intermezzo No.22 – Vivace (헨체 : 고독 대로 간주곡 22번)|Henze : Manadenjagd|Henze : Capriccio Per Violoncello Solo (1981) – Introduktion. Vivace (헨체 : 무반주 첼로 카프리치오)|Henze : Sonata Per Otto Ottoni – I. Largo (헨체 : 8명의 금관 연주자를 위한 소나타 – 1악장)|Henze : Sonata Per Otto Ottoni – II. Allegramente (헨체 : 8명의 금관 연주자를 위한 소나타 – 2악장)|Henze : Sonata Per Otto Ottoni – III. Rondino I (헨체 : 8명의 금관 연주자를 위한 소나타 – 3악장)|Henze : Sonata Per Otto Ottoni – IV. Grave (헨체 : 8명의 금관 연주자를 위한 소나타 – 4악장)|Henze : Sonata Per Otto Ottoni – V. Rondino II (헨체 : 8명의 금관 연주자를 위한 소나타 – 5악장)” d=”Universal Music Group” e=”2013.08.07″ f=”클래식|오페라/성악|교향/관현악|발레/무용|협주곡|실내악|독주곡” g=”2197692″ t=”0″ i=”various-artists” j=”Joseph Rollino|Philip Jones Brass Ensemble|Friedemann Jaeckel|Bella Jasper|Berthold Rink|Oliver Knussen|Marina Turke|Martha Modl|Giuseppe Agostini|Heinz Holliger|Dieter Leffler|Gewandhausorchester Leipzig|Paul Sheftel|Roy Hart|Collegium Musicum Zurich|Richard Kraus|Reinhard Decker|Deutsches Symphonie Orchestra|Gaston Salvatore|Titus Paspirgilis|Stomu Yamash’ta|Dieter Schider|Liane Dubin|Hans Werner Henze|William Pearson|Siegfried Behrend|Donald Grobe|Christoph Von Dohnanyi|Andreas Scheibner|Peter Donohoe|Karlheinz Zoeller|Elfriede Irral|Fritz Hoppe|Claudio Abbado|English Chamber Orchestra|Leo Brouwer|London Philharmonic Orchestra|Helmut Franz|Hubert Hilten|NDR-Sinfonieorchester|Ferenc Fricsay|Loren Driscoll|Cornelius Schwarz|London Symphony Orchestra|Various Artists|Frieder Lang|Christoph Eschenbach|Staatskapelle Dresden|Charles Regnier|Gunther Arndt|Gustav Mahler Jugendorchester|London Sinfonietta|Catherine Gayer|Berliner Philharmoniker|Thomas Hemsley|Edith Mathis|Ursula Holliger|Gunther Treptow|Helmut Krebs|Ernst Krukowski|Dietrich Fischer-Dieskau|Edda Moser|Patricia Johnson|Rias Kammerchor Berlin|Vera Little|Homero Francesch|Barry McDaniel|Matt Haimovitz|Chor Der Deutschen Oper Berlin|Schoneberger Sangerknaben|Paul Sacher|Siegfried Palm|Dresdner Kreuzchor|Gary Karr|Manfred Rohrl|Ivan Sardi|Fires Of London|Wolfgang Schneiderhan” k=”joseph-rollino|philip-jones-brass-ensemble|friedemann-jaeckel|bella-jasper|berthold-rink|oliver-knussen|marina-turke|martha-modl|giuseppe-agostini|heinz-holliger|dieter-leffler|gewandhausorchester-leipzig|paul-sheftel|roy-hart|collegium-musicum-zurich|richard-kraus|reinhard-decker|deutsches-symphonie-orchestra|gaston-salvatore|titus-paspirgilis|stomu-yamash-ta|dieter-schider|liane-dubin|hans-werner-henze|william-pearson|siegfried-behrend|donald-grobe|christoph-von-dohnanyi|andreas-scheibner|peter-donohoe|karlheinz-zoeller|elfriede-irral|fritz-hoppe|claudio-abbado|english-chamber-orchestra|leo-brouwer|london-philharmonic-orchestra|helmut-franz|hubert-hilten|ndr-sinfonieorchester|ferenc-fricsay|loren-driscoll|cornelius-schwarz|london-symphony-orchestra|various-artists|frieder-lang|christoph-eschenbach|staatskapelle-dresden|charles-regnier|gunther-arndt|gustav-mahler-jugendorchester|london-sinfonietta|catherine-gayer|berliner-philharmoniker|thomas-hemsley|edith-mathis|ursula-holliger|gunther-treptow|helmut-krebs|ernst-krukowski|dietrich-fischer-dieskau|edda-moser|patricia-johnson|rias-kammerchor-berlin|vera-little|homero-francesch|barry-mcdaniel|matt-haimovitz|chor-der-deutschen-oper-berlin|schoneberger-sangerknaben|paul-sacher|siegfried-palm|dresdner-kreuzchor|gary-karr|manfred-rohrl|ivan-sardi|fires-of-london|wolfgang-schneiderhan” l=”universal-music-group” m=”keulraesig|opera-seongag|gyohyang-gwanhyeonag|balre-muyong|hyeobjugog|silnaeag|dogjugog” n=”” h=””]