[tube a=”Beethoven: Complete Works for Piano & Cello” y=”xBj_voSswg8″ b=”Adrian Brendel” c=”Beethoven: Sonata for Cello and Piano No.2 in G minor, Op.5 No.2 – 1a. Adagio sostenuto ed espressivo|Beethoven: Sonata for Cello and Piano No.2 in G minor, Op.5 No.2 – 1b. Allegro molto più tosto presto|Beethoven: Sonata for Cello and Piano No.2 in G minor, Op.5 No.2 – 2. Rondo (Allegro)|Beethoven: Sonata for Cello and Piano No.4 in C, Op.102 No.1 – 1. Andante – Allegro vivace|Beethoven: Sonata for Cello and Piano No.4 in C, Op.102 No.1 – 2. Adagio – Tempo d’andante – Allegro vivace|Beethoven: Sonata for Cello and Piano No.3 in A, Op.69 – 1. Allegro ma non tanto|Beethoven: Sonata for Cello and Piano No.3 in A, Op.69 – 2. Scherzo (Allegro molto)|Beethoven: Sonata for Cello and Piano No.3 in A, Op.69 – 3. Adagio cantabile – Allegro vivace|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Theme. Allegretto|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation I|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation II|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation III|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation IV|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation V|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation VI|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation VII|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation VIII|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation IX|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation X. Adagio|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation XI. Poco Adagio, quasi Andante|Beethoven: 12 Variations on “Ein Mädchen oder Weibchen” for Cello and Piano, Op. 66 – Variation XII. Allegro|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Thema. Allegretto|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation I|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation II|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation III|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation IV|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation V|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation VI|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation VII|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation VIII|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation IX|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation X. Allegro|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation XI. Adagio|Beethoven: 12 Variations on “See the conquering hero comes” for Cello and Piano, WoO 45 – Variation XII. Allegro|Beethoven: Sonata for Cello and Piano No.5 in D, Op.102 No.2 – 1. Allegro con brio|Beethoven: Sonata for Cello and Piano No.5 in D, Op.102 No.2 – 2. Adagio con molto sentimento d’affetto|Beethoven: Sonata for Cello and Piano No.5 in D, Op.102 No.2 – 3. Allegro – Allegro fugato|Beethoven: Sonata for Cello and Piano No.1 in F, Op.5 No.1 – 1. Adagio sostenuto – Allegro|Beethoven: Sonata for Cello and Piano No.1 in F, Op.5 No.1 – 2. Rondo (Allegro vivace)|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Theme. Andante|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation I|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation II|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation III|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation IV|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation V. Si prenda il tempo un poco più vivace|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation VI. Adagio|Beethoven: 7 Variations on “Bei Männern, welche Liebe fühlen”, for Cello and Piano, WoO 46 – Variation VII. Allegro, ma non troppo” d=”Universal Music Group” e=”2008.03.28″ f=”클래식|실내악” g=”105553″ t=”0″ i=”adrian-brendel” j=”Adrian Brendel|Alfred Brendel” k=”adrian-brendel|alfred-brendel” l=”universal-music-group” m=”keulraesig|silnaeag” n=”” h=””]

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