[tube a=”Sir Colin Davis – The Philips Years” y=”O1snaH-pxA0″ b=”Colin Davis” c=”Bartók: Piano Concerto No.1, BB 91, Sz. 83 – 1. Allegro moderato – Allegro|Bartók: Piano Concerto No.1, BB 91, Sz. 83 – 2. Andante|Bartók: Piano Concerto No.1, BB 91, Sz. 83 – 3. Allegro molto|Bartók: Piano Concerto No.2, BB 101, Sz. 95 – 1. Allegro|Bartók: Piano Concerto No.2, BB 101, Sz. 95 – 2. Adagio – Più adagio – Presto|Bartók: Piano Concerto No.2, BB 101, Sz. 95 – 3. Allegro molto|Bartók: Piano Concerto No.3, BB 127, Sz. 119 – 1. Allegretto|Bartók: Piano Concerto No.3, BB 127, Sz. 119 – 2. Adagio religioso|Bartók: Piano Concerto No.3, BB 127, Sz. 119 – 3. Allegro vivace|Beethoven: Symphony No.5 in C minor, Op.67 – 1. Allegro con brio|Beethoven: Symphony No.5 in C minor, Op.67 – 2. Andante con moto|Beethoven: Symphony No.5 in C minor, Op.67 – 3. Allegro|Beethoven: Symphony No.5 in C minor, Op.67 – 4. Allegro|Beethoven: Piano Concerto No.5 in E flat major Op.73 -“Emperor” – 1. Allegro|Beethoven: Piano Concerto No.5 in E flat major Op.73 -“Emperor” – 2. Adagio un poco mosso|Beethoven: Piano Concerto No.5 in E flat major Op.73 -“Emperor” – 3. Rondo (Allegro)|Berlioz: Symphonie fantastique, Op. 14, H 48 – 1. Rêveries – Passions. Largo – Allegro agitato e appassionato assai – Religiosamente|Berlioz: Symphonie fantastique, Op. 14, H 48 – 2. Un bal. Valse. Allegro non troppo|Berlioz: Symphonie fantastique, Op. 14, H 48 – 3. Scène aux champs. Adagio|베를리오즈: 환상 교향곡, 작품번호 14: 4. Marche au supplice. Allegretto non troppo|Berlioz: Symphonie fantastique, Op. 14, H 48 – 5. Songe d’une nuit de sabbat. Larghetto – Allegro|Mussorgsky: A Night On The Bare Mountain|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 1. Requiem – Kyrie|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 2. Dies irae – Tuba mirum|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 3. Quid sum miser|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 4. Rex tremendae|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 5. Quaerens me|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 6. Lacrymosa|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 7. Domine Jesu Christe|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 8. Hostias|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 9. Sanctus|Berlioz: Requiem, Op.5 (Grande Messe des Morts) – 10. Agnus Dei|Berlioz: Te Deum, Op.22 – Te Deum|Berlioz: Te Deum, Op.22 – Tibi omnes|Berlioz: Te Deum, Op.22 – Dignare|Berlioz: Te Deum, Op.22 – Christe, rex gloriae|Berlioz: Te Deum, Op.22 – Te ergo quaesumus|Berlioz: Te Deum, Op.22 – Judex crederis|Dvorák: Symphony No.7 in D minor, Op.70 – 1. Allegro maestoso|Dvorák: Symphony No.7 in D minor, Op.70 – 2. Poco adagio|Dvorák: Symphony No.7 in D minor, Op.70 – 3. Scherzo (Vivace)|Dvorák: Symphony No.7 in D minor, Op.70 – 4. Finale (Allegro)|Dvorák: Symphony No.9 in E minor, Op.95 “From the New World” – 1. Adagio – Allegro molto|Dvorák: Symphony No.9 in E minor, Op.95 “From the New World” – 2. Largo|Dvorák: Symphony No.9 in E minor, Op.95 “From the New World” – 3. Scherzo (Molto vivace)|Dvorák: Symphony No.9 in E minor, Op.95 “From the New World” – 4. Allegro con fuoco|Elgar: Variations on an Original Theme, Op.36 “Enigma” – Theme (Andante)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 1. C.A.E. (L’istesso tempo)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 2. H.D.S.-P. (Allegro)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 3. R.B.T. (Allegretto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 4. W.M.B. (Allegro di molto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 5. R.P.A. (Moderato)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 6. Ysobel (Andantino)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 7. Troyte (Presto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 8. W.N. (Allegretto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 9. Nimrod (Adagio)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 10. Intermezzo: Dorabella (Allegretto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 11. G.R.S. (Allegro di molto)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 12. B.G.N. (Andante)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 13. Romanza *** (Moderato)|Elgar: Variations on an Original Theme, Op.36 “Enigma” – 14. Finale: E.D.U. (Allegro – Presto)|Holst: The Planets, Op.32 – 1. Mars, the Bringer of War|Holst: The Planets, Op.32 – 2. Venus, the Bringer of Peace|Holst: The Planets, Op.32 – 3. Mercury, the Winged Messenger|Holst: The Planets, Op.32 – 4. Jupiter, the Bringer of Jollity|Holst: The Planets, Op.32 – 5. Saturn, the Bringer of Old Age|Holst: The Planets, Op.32 – 6. Uranus, the Magician|Holst: The Planets, Op.32 – 7. Neptune, the Mystic|Haydn: Symphony in G, H.I No.94 – “Surprise” – 1. Adagio – Vivace assai|Haydn: Symphony in G, H.I No.94 – “Surprise” – 2. Andante|Haydn: Symphony in G, H.I No.94 – “Surprise” – 3. Menuet (Allegro molto)|Haydn: Symphony in G, H.I No.94 – “Surprise” – 4. Finale (Allegro di molto)|Haydn: Symphony No. 101 in D Major, Hob.I:101 “The Clock” – 1. Adagio – Presto|Haydn: Symphony No. 101 in D Major, Hob.I:101 “The Clock” – 2. Andante|Haydn: Symphony No. 101 in D Major, Hob.I:101 “The Clock” – 3. Menuet. Allegretto – Trio|Haydn: Symphony No. 101 in D Major, Hob.I:101 “The Clock” – 4. Finale. Vivace|Haydn: Symphony in D, H.I No.104 – “London” – 1. Adagio – Allegro|Haydn: Symphony in D, H.I No.104 – “London” – 2. Andante|Haydn: Symphony No.104 in D Major, Hob.I:104 – “London” – 3. Menuet (Allegro)|Haydn: Symphony in D, H.I No.104 – “London” – 4. Finale (Spiritoso)|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Thema: Andante grazioso|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. I. L’istesso tempo|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. II. Poco agitato|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. III. Con moto|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. IV. Vivace|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. V. Quasi presto|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. VI. Sostenuto (quasi adagietto)|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. VII. Andante grazioso|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Var. VIII. Molto sostenuto|Reger: Variations and Fugue on a Theme by Mozart, Op.132 – Fugue: Allegretto grazioso|Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber – 1. Allegro|Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber – 2. Turandot (Scherzo)|Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber – 3. Andantino|Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber – 4. Marsch|Stravinsky: Symphony in 3 Movements – 1. Allegro|Stravinsky: Symphony in 3 Movements – 2. Andante – Interlude (L’istesso tempo)-|Stravinsky: Symphony in 3 Movements – 3. Con moto|Mahler: Das Lied von der Erde – Das Trinklied vom Jammer der Erde|Mahler: Das Lied von der Erde – Der Einsame im Herbst|Mahler: Das Lied von der Erde – Von der Jugend|Mahler: Das Lied von der Erde – Von der Schönheit|Mahler: Das Lied von der Erde – Der Trunkene im Frühling|Mahler: Das Lied von der Erde – Der Abschied|Mozart: Symphony No.25 in G minor, K.183 – 1. Allegro con brio|Mozart: Symphony No.25 in G minor, K.183 – 2. Andante|Mozart: Symphony No.25 in G minor, K.183 – 3. Menuetto|Mozart: Symphony No.25 in G minor, K.183 – 4. Allegro|Mozart: Symphony No.32 in G, K.318 (Overture in G) – 1. Allegro – 2. Andante – 3. Tempo I|Mozart: Piano Concerto No.15 in B flat, K.450 – 1. Allegro|Mozart: Piano Concerto No.15 in B flat, K.450 – 2. (Andante)|Mozart: Piano Concerto No.15 in B flat, K.450 – 3. Allegro|Mozart: Symphony No. 40 in G Minor, K.550 – 1. Molto allegro|Mozart: Symphony No. 40 in G Minor, K.550 – 2. Andante|Mozart: Symphony No. 40 in G Minor, K.550 – 3. Menuetto (Allegretto)|Mozart: Symphony No. 40 in G Minor, K.550 – 4. Finale (Allegro assai)|Mozart: Vesperae solennes de confessore in C, K.339 – 1. Dixit Dominus Domino meo|Mozart: Vesperae solennes de confessore in C, K.339 – 2. Confitebor tibi, Domine|Mozart: Vesperae solennes de confessore in C, K.339 – 3. Beatus vir qui timet Dominum|Mozart: Vesperae solennes de confessore in C, K.339 – 4. Laudate pueri Dominum|Mozart: Vesperae solennes de confessore in C, K.339 – 5. Laudate Dominum omnes gentes|Mozart: Vesperae solennes de confessore in C, K.339 – 6. Magnificat anima mea|Mozart: Kyrie in D minor, K.341|Mozart: Ave verum corpus, K.618|Mozart: Exsultate, jubilate, K.165|Mozart: Zaide, K.344 / Act 1 – “Ruhe sanft, mein holdes Leben”|Mozart: Die Zauberflöte, K.620 / Act 2 – “Ach, ich fühl’s”|Mozart: Così fan tutte, K.588 / Act 2 – Ei parte…Senti… – Per pietà, ben mio, perdona|Sibelius: Symphony No. 1 in E Minor, Op. 39 – 1. Andante, ma non troppo – Allegro energico|Sibelius: Symphony No. 1 in E Minor, Op. 39 – 2. Andante, ma non troppo lento|Sibelius: Symphony No. 1 in E Minor, Op. 39 – 3. Scherzo. Allegro|Sibelius: Symphony No. 1 in E Minor, Op. 39 – 4. Finale. Quasi una fantasia|Sibelius: Finlandia, Op. 26|Sibelius: Pohjola’s Daughter, Op. 49|Sibelius: Tapiola, Op. 112|Tippett: The Knot Garden / Act 1:”Confrontation” – “So, If I Dream”|Tippett: The Knot Garden / Act 1:”Confrontation” – “What Is It You Do To Flora?”|Tippett: The Knot Garden / Act 1:”Confrontation” – “You Can Pick Roses”|Tippett: The Knot Garden / Act 1:”Confrontation” – “If You Think We’re Waxworks, You Ought To Play”|Tippett: The Knot Garden / Act 1:”Confrontation” – “Ca – Ca – Caliban”|Tippett: The Knot Garden / Act 1:”Confrontation” – “O, You Stare In Horror”|Tippett: The Knot Garden / Act 1:”Confrontation” – “Do, Do Not, Do Not Torment Me”|Tippett: The Knot Garden / Act 2:”Labyrinth” – “Fear! What Do I Fear?”|Tippett: The Knot Garden / Act 2:”Labyrinth” – “Flora: Flora, Love; Stop Crying”|Tippett: The Knot Garden / Act 2:”Labyrinth” – “I Was Born In a Big Town”|Tippett: The Knot Garden / Act 3:”Charade” – “You Must Both Hold With Me”|Tippett: The Knot Garden / Act 3:”Charade” – “Ugh-Ugh-Ugh. -Whatever Is That?”|Tippett: The Knot Garden / Act 3:”Charade” – “Two Unruly Spirits Born!”|Tippett: The Knot Garden / Act 3:”Charade” – “Mel! O Crude, O Obscene”|Tippett: The Knot Garden / Act 3:”Charade” – “And What Are You, Mangus?”|Tippett: The Knot Garden / Act 3:”Charade” – “I Am No More Afraid”|Tippett: The Knot Garden / Act 3:”Charade” – “Goodbye Island: Goodbye Cave”|Tippett: The Knot Garden / Act 3:”Charade” – “Enough! Enough!”|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Introduction|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Kashchei’s enchanted garden|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Appearance of the Firebird pursued by Ivan Tsarevich|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Dance of the Firebird|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Ivan Tsarevich captures the Firebird|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Supplication of the Firebird|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Game of the Princesses with the golden apples|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Sudden appearance of Ivan Tsarevich|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Round dance of the Princesses|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Daybreak|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Magic carillon, appearance of Kashchei’s guardian monsters and capture of Ivan Tsarevich|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Dance of Kashchei’s retinue under the spell of the Firebird|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Infernal dance of all Kashchei’s subject’s|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Lullaby of the Firebird|Stravinsky: The Firebird (L’oiseau de feu) – Ballet (1910) – Collapse of Kashchei’s palace and dissolution of all enchantments – Reanimation of the petrified prisoners – General rejoicing|Stravinsky: Orpheus – Ballet in 3 Scenes – 1st scene|Stravinsky: Orpheus – Ballet in 3 Scenes – 2nd scene|Stravinsky: Orpheus – Ballet in 3 Scenes – 3rd scene” d=”Universal Music Group” e=”2013.01.01″ f=”클래식|교향/관현악|오페라/성악|발레/무용|협주곡” g=”2186343″ t=”0″ i=”colin-davis” j=”Ronald Dowd|Kiri Te Kanawa|Boston Symphony Orchestra|Robert Tear|Franco Tagliavini|Claudio Arrau|Raimund Herincx|London Symphony Chorus|Colin Davis|Stephen Kovacevich|Jill Gomez|Ryland Davies|Elizabeth Bainbridge|London Symphony Orchestra|BBC Symphony Orchestra|Various Artists|Jessye Norman|Staatskapelle Dresden|Berliner Philharmoniker|Thomas Hemsley|Josephine Barstow|John Constable|Nicolas Kynaston|Royal Concertgebouw Orchestra|Yvonne Minton|Thomas Carey|Jon Vickers|Wandsworth School Boys’ Choir|Gwynne Howell|Ingrid Haebler” k=”ronald-dowd|kiri-te-kanawa|boston-symphony-orchestra|robert-tear|franco-tagliavini|claudio-arrau|raimund-herincx|london-symphony-chorus|colin-davis|stephen-kovacevich|jill-gomez|ryland-davies|elizabeth-bainbridge|london-symphony-orchestra|bbc-symphony-orchestra|various-artists|jessye-norman|staatskapelle-dresden|berliner-philharmoniker|thomas-hemsley|josephine-barstow|john-constable|nicolas-kynaston|royal-concertgebouw-orchestra|yvonne-minton|thomas-carey|jon-vickers|wandsworth-school-boys-choir|gwynne-howell|ingrid-haebler” l=”universal-music-group” m=”keulraesig|gyohyang-gwanhyeonag|opera-seongag|balre-muyong|hyeobjugog” n=”” h=””]