[tube a=”The History Of Classical Music – Part 5 – From Sibelius To Gorecki” y=”PCxp5nfBl1o” b=”Various Artists” c=”Sibelius: Symphony No.5 In E Flat, Op.82 – 1. Tempo molto moderato – Largamente -|Sibelius: Symphony No.5 In E Flat, Op.82 – 2. Allegro moderato – Presto|Sibelius: Symphony No.5 In E Flat, Op.82 – 3. Andante mosso, quasi allegretto|Sibelius: Symphony No.5 In E Flat, Op.82 – 4. Allegro molto|시벨리우스: 슬픈 왈츠 작품번호 44|시벨리우스: 핀란디아 작품번호 26-7: Andante sostenuto – Allegro moderato – Allegro|Sibelius: Tapiola, Op.112|Ives: Piano Sonata No.2 “Concord, Mass., 1840-1860” – 1. “Emerson”. Slowly – Slowly And Quietly|Ives: Piano Sonata No.2 “Concord, Mass., 1840-1860” – 2. “Hawthorne”. Very Fast|Ives: Piano Sonata No.2 “Concord, Mass., 1840-1860” – 3. “The Alcotts”|Ives: Piano Sonata No.2 “Concord, Mass., 1840-1860” – 4. “Thoreau”. Starting Slowly And Quietly|Ives: Central Park In The Dark|Ives: 3 Places In New England – 1. The “St. Gaudens” In Boston Common (Col. Shaw And His Colored Regiment)|Ives: 3 Places In New England – 2. Putnam’s Camp, Redding, Connecticut|Ives: 3 Places In New England – 3. From “The Housatonic At Stockbridge” By Robert Underwood Johnson|현을 위한 아다지오 Op. 11/2|Janácek: Taras Bulba – 1. The Death Of Andri|Janácek: Taras Bulba – 2. The Death Of Ostap|Janácek: Taras Bulba – 3. The Prophecy And The Death Of Taras Bulba|Janácek: Concertino For Piano And Chamber Orchestra – 1. Moderato|Janácek: Concertino For Piano And Chamber Orchestra – 2. Più mosso|Janácek: Concertino For Piano And Chamber Orchestra – 3. Con moto|Janácek: Concertino For Piano And Chamber Orchestra – 4. Allegro|Janácek: Sinfonietta – 1. Allegretto – Allegro – Maestoso|Janácek: Sinfonietta – 2. Andante – Allegretto – Maestoso – Tempo I – Allegretto|Janácek: Sinfonietta – 3. Moderato – Con moto – Prestissimo – Tempo I – Moderato|Janácek: Sinfonietta – 4. Allegretto – Adagio – Presto – Andante – Presto – Prestissimo|Janácek: Sinfonietta – 5. Andante con moto – Maestoso – Tempo I – Allegretto – Allegro – Maestoso – Adagio|Ravel: Boléro, M. 81 – Tempo di Bolero moderato assai|Ravel: Piano Concerto in G Major, M. 83 – I. Allegramente|라벨: 피아노 협주곡 사장조: 2. Adagio assai|Ravel: Piano Concerto in G Major, M. 83 – III. Presto|Ravel: Pavane pour une infante défunte, M.19 – Lent|Ravel: Ma mère l’oye, M.60 – Prélude|Ravel: Ma mère l’Oye, M. 60 – Danse du rouet et scène – Interlude|Ravel: Ma mère l’Oye, M. 60 – Pavane de la Belle au bois dormant|Ravel: Ma mère l’oye, M.60 – Les entretiens de la Belle et de la Bête|Ravel: Ma mère l’Oye, M. 60 – Petit Poucet|Ravel: Ma mère l’Oye, M. 60 – Laideronnette, Impératrice des Pagodes|Ravel: Ma mère l’Oye, M. 60 – Apothéose: Le jardin féerique|Schoenberg: Verklärte Nacht, Op.4 – Version For String Sextet – 1. Sehr langsam (bar 1)|Schoenberg: Verklärte Nacht, Op.4 – Version For String Sextet – 2. Breiter (bar 200)|Schoenberg: Verklärte Nacht, Op.4 – Version For String Sextet – 3. Schwer betont (bar 201)|Schoenberg: Verklärte Nacht, Op.4 – Version For String Sextet – 4. Sehr breit und langsam (bar 229)|Schoenberg: Verklärte Nacht, Op.4 – Version For String Sextet – 5. Sehr ruhig (bar 370)|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 1. Mondestrunken|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 2. Colombine|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 3. Der Dandy|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 4. Eine Blasse Wäscherin|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 5. Valse De Chopin|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 6. Madonna|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 1 – 7. Der Kranke Mond|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 8. Die Nacht|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 9. Gebet An Pierrot|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 10. Raub|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 11. Rote Messe|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 12. Galgenlied|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 13. Enthauptung|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 2 – 14. Die Kreuze|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 15. Heimweh|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 16. Gemeinheit!|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 17. Parodie|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 18. Der Monfleck|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 19. Serenade|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 20. Heimfahrt|Schoenberg: Pierrot Lunaire, Op.21 (1912) / Part 3 – 21. O Alter Duft|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 1. Etwas bewegt|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 2. Bewegt|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 3. Zart bewegt|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 4. Langsam (marcia funebre)|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 5. Sehr langsam|Webern: Six Pieces For Orchestra, Op.6 – Original Version (1909) – 6. Zart bewegt|Webern: Symphony, Op.21 – 1. Ruhig schreitend|Webern: Symphony, Op.21 – 2. Variationen|Berg: 3 Pieces For Orchestra, Op.6 – 1. Praeludium (Prelude)|Berg: 3 Pieces For Orchestra, Op.6 – 2. Reigen (Round Dance)|Berg: 3 Pieces For Orchestra, Op.6 – 3. Marsch (March)|Berg: Violin Concerto – 1. Andante – Allegretto|Berg: Violin Concerto – 2. Allegro, ma sempre rubato, frei wie eine Kadenz – Adagio|Berg: Lyric Suite – 3 Pieces For String Orchestra – 1. Andante amoroso|Berg: Lyric Suite – 3 Pieces For String Orchestra – 2. Allegro misterioso|Berg: Lyric Suite – 3 Pieces For String Orchestra – 3. Adagio appassionato|Stravinsky: Petrouchka / Scene 1 – The Shrovetide Fair – The Crowds – The Conjuring-trick|Stravinsky: Petrouchka / Scene 1 – Russian Dance|Stravinsky: Petrouchka / Scene 2 – Petrouchka’s Room|Stravinsky: Petrouchka / Scene 3 – The Moor’s Room – Dance Of The Ballerina|Stravinsky: Petrouchka / Scene 3 – Waltz (The Ballerina And The Moor)|Stravinsky: Petrouchka / Scene 4 – The Shrovetide Fair (Evening)|Stravinsky: Petrouchka / Scene 4 – Dance Of The Wet-nurses|Stravinsky: Petrouchka / Scene 4 – Dance Of The Peasant And The Bear|Stravinsky: Petrouchka / Scene 4 – The Jovial Merchant With Two Gypsy Girls|Stravinsky: Petrouchka / Scene 4 – Dance Of The Coachmen And The Grooms|Stravinsky: Petrouchka / Scene 4 – The Masqueraders|Stravinsky: Petrouchka / Scene 4 – The Scuffle|Stravinsky: Petrouchka / Scene 4 – Death Of Petrouchka|Stravinsky: Petrouchka / Scene 4 – The Police And The Charlatan|Stravinsky: Petrouchka / Scene 4 – Apparition Of Petrouchka’s Ghost|Stravinsky: Apollon Musagète (1947 Version) / Premier Tableau (Prologue) – Naissance d’Apollon Largo – Allegretto – Tempo I (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) – Variation d’Apollon (Apollon et les Muses) (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Pas d’action (Apollon et les trois Muses: Calliope, Polymnie et Terpsichore) Moderato (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Variation de Calliope (l’Alexandrin) Allegretto (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Variation de Polymnie Allegro (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Variation de Terpsichore Allegretto (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Variation d’Apollon Lento (1947 Version)|Stravinsky: Apollon musagète (1947 Version) / Second Tableau – Pas de deux (Apollon et Terpsichore) Adagio (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Coda (Apollon et les Muses) Vivo – Tempo sostenuto – Agitato (1947 Version)|Stravinsky: Apollon Musagète (1947 Version) / Second Tableau – Apothéose Largo e tranquilo (1947 Version)|Stravinsky: Circus Polka For A Young Elephant|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 1. Overture: Allegro moderato|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 2. Serenata: Larghetto “Mentre l’erbetta pasce l’agnella”|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 3. Scherzino: Allegro|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – Poco più vivo “Benedetto, maledetto”|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 4. Allegro|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 5. Andantino|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 6. Allegro “Gnora crediteme ch’accossi è”|Stravinsky: Pulcinella – Revised Version of 1947 – 7. Allegretto “Contento forse vivere”|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 8. Allegro assai|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 9. Allegro (alla breve) “Con queste paroline”|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 10. Largo (Trio) “Sento dire no’ncè pace” – Allegro “Chi disse cà la femmena” – Presto (Duetto) “Ncè sta quaccuna po'”/”Una te fa la nzemprece” – Larghetto|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 11. Allegro – alla breve|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 12. Tarantella|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 13. Andantino “Se tu m’ami” (Arie antiche)|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 14. Allegro|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 15. Gavotta con due variazioni|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 16. Vivo|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 17. Tempo di minuetto “Pupillette, fiammette d’amore”|Stravinsky: Pulcinella Ballet In One Act – Revised Version Of 1947 – 18. Allegro assai|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – Introduction|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – The Augurs Of Spring: Dances Of The Young Girls|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – Ritual Of Abduction|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – Spring Rounds|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – Games Of The Rival Tribes – Procession Of The Oldest- And-Wisest – Adoration Of The Earth – The Oldest-And-Wisest|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 1: The Adoration Of The Earth – Dance Of The Earth|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 2: The Sacrifice – Introduction (Largo)|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 2: The Sacrifice – Mystical Circles Of The Young Girls|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 2: The Sacrifice – Glorification Of The Chosen Victim – Summoning Of The Elders|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 2: The Sacrifice – Ritual Of The Elders|Stravinsky: Le Sacre du Printemps – Revised Version For Orchestra (Published 1947) / Part 2: The Sacrifice – Sacrificial Dance (The Chosen One)|Prokofiev: Violin Concerto No.1 In D, Op.19 – 1. Andantino|Prokofiev: Violin Concerto No.1 In D, Op.19 – 2. Scherzo. Vivacissimo|Prokofiev: Violin Concerto No.1 In D, Op.19 – 3. Moderato|프로코피예프: 피아노 협주곡 3번 다장조, 작품번호 26: 1. Andante – Allegro|Prokofiev: Piano Concerto No. 3 in C Major, Op. 26 – 2. Tema con variazioni|Prokofiev: Piano Concerto No. 3 in C Major, Op. 26 – 3. Allegro ma non troppo|Prokofiev: Lieutenant Kijé, Symphonic Suite, Op.60 – 1. Naissance de Kijé|프로코피예프: 키이제 중위, 교향적 모음곡, 작품번호 60: 2. 로망스|프로코피예프: 키이제 중위, 교향적 모음곡, 작품번호 60: 3. Noces de Kijé|프로코피예프: 키이제 중위, 교향적 모음곡, 작품번호 60: 4. Troïka|Prokofiev: Lieutenant Kijé, Symphonic Suite, Op.60 – 5. Enterrement de Kijé|Bartók: Music For Strings, Percussion And Celesta, Sz. 106 – 1. Andante tranquillo|Bartók: Music For Strings, Percussion And Celesta, Sz. 106 – 2. Allegro|Bartók: Music For Strings, Percussion And Celesta, Sz. 106 – 3. Adagio|Bartók: Music For Strings, Percussion And Celesta, Sz.106 – 4. Allegro molto|Bartók: Concerto For Orchestra, Sz. 116 – 1. Introduzione (Andante non troppo – Allegro vivace)|Bartók: Concerto For Orchestra, Sz. 116 – 2. Giuoco della coppie (Allegretto scherzando)|Bartók: Concerto For Orchestra, Sz. 116 – 3. Elegia (Andante, non troppo)|Bartók: Concerto For Orchestra, Sz. 116 – 4. Intermezzo interrotto (Allegretto)|Bartók: Concerto For Orchestra, Sz. 116 – 5. Finale (Pesante – Presto)|Hindemith: Symphonie “Mathis der Maler” – 1. Engelkonzert|Hindemith: Symphonie “Mathis der Maler” – 2. Grablegung|Hindemith: Symphonie “Mathis der Maler” – 3. Versuchung des heiligen Antonius|Busoni: Doktor Faust / First Scene – Symphonic Intermezzo|Pfitzner: Palestrina – Musical Legend In Three Acts – Prelude to Act I. Ruhig (Andante)|Pfitzner: Palestrina – Musical Legend In Three Acts – Prelude to Act II. Mit Wucht und Wildheit|Pfitzner: Palestrina – Musical Legend In Three Acts – Prelude to Act III. Langsam, sehr getragen|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 1. Overture: Maestoso|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 2. The Ballad Of Mack The Knife: Moderato assai|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 3. Instead-Of Song: Moderato|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 4. The Ballad Of Pleasant Living: Foxtrott|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 5. Polly’s Song: Andante con moto|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 5a. Tango-Ballad|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 6. Cannon Song: Charleston-Tempo|Weill: Suite For Wind Orchestra From “The Threepenny Opera” (1928) – 7. Dreigroschen-Finale|Shostakovich: Cello Concerto No.2, Op.126 – 1. Largo|Shostakovich: Cello Concerto No.2, Op.126 – 2. Allegretto|Shostakovich: Cello Concerto No.2, Op.126 – 3. Allegretto|Shostakovich: Symphony No.5 In D Minor, Op.47 – 1. Moderato|Shostakovich: Symphony No.5 In D Minor, Op.47 – 2. Allegretto|Shostakovich: Symphony No.5 In D Minor, Op.47 – 3. Largo|Shostakovich: Symphony No.5 In D Minor, Op.47 – 4. Allegro Non Troppo|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Prologue|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Pastoral – The Day’s Grown Old|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Nocturne – The Splendour Falls On Castle Walls|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Elegy – O Rose, Thou Art Sick|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Dirge – This Ae Nighte|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Hymn – Queen And Huntress Chaste And Fair|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Sonnet – O Soft Embalmer Of The Still Midnight|Britten: Serenade For Tenor, Horn & Strings, Op.31 – Epilogue|Delius: On Hearing The First Cuckoo In Spring|Delius: Summer Night On The River|Vaughan Williams: Fantasia On “Greensleeves”|Vaughan Williams: The Lark Ascending|Rodrigo: Concierto de Aranjuez For Guitar And Orchestra – 1. Allegro con spirito|Rodrigo: Concierto de Aranjuez For Guitar And Orchestra – 2. Adagio|Rodrigo: Concierto de Aranjuez For Guitar And Orchestra – 3. Allegro gentile|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Introducción y escena|de Falla: El amor brujo – Ballet By G. Martinez Sierra – En la cueva. La noche|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Canción del amor dolido|de Falla: El amor brujo – Ballet By G. Martinez Sierra – El aparecido|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Danza del terror|de Falla: El amor brujo – Ballet By G. Martinez Sierra – El círculo mágico|de Falla: El amor brujo – Ballet By G. Martinez Sierra – A media noche. Los sortilegios|파야: 사랑은 마법사: 불의 춤|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Escena|de Falla: El Amor Brujo – Ballet by G. Martinez Sierra – Canción del fuego fátuo|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Pantomima|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Danza del juego de amor|de Falla: El amor brujo – Ballet By G. Martinez Sierra – Final. Las campanas del amanecer|de Falla: Nights In The Gardens Of Spain – 1. En el generalife|de Falla: Nights In The Gardens Of Spain – 2. Danza lejana|de Falla: Nights In The Gardens Of Spain – 3. En los jardines de la Sierra de Cordoba|거슈윈: 랩소디 인 블루|거슈윈: 파리의 미국인|Bernstein: “Candide” Overture|Bernstein: “West Side Story” – Symphonic Dances – 1. Prologue|Bernstein: “West Side Story” – Symphonic Dances – 2. Somewhere|Bernstein: “West Side Story” – Symphonic Dances – 3. Scherzo|Bernstein: “West Side Story” – Symphonic Dances – 4. Mambo|Bernstein: “West Side Story” – Symphonic Dances – 5. Cha-cha|Bernstein: “West Side Story” – Symphonic Dances – 6. Meeting Scene|Bernstein: “West Side Story” – Symphonic Dances – 7. Cool Fugue|Bernstein: “West Side Story” – Symphonic Dances – 8. Rumble|Bernstein: “West Side Story” – Symphonic Dances – 9. Finale|메시앙: 투랑갈릴라 교향곡: 1. 서곡|메시앙: 투랑갈릴라 교향곡: 2. 사랑의 노래 1|메시앙: 투랑갈릴라 교향곡: 3. 투랑갈릴라 1|메시앙: 투랑갈릴라 교향곡: 4. 사랑의 노래 2|메시앙: 투랑갈릴라 교향곡: 5. 별들의 피의 즐거움|메시앙: 투랑갈릴라 교향곡: 6. 사랑의 잠의 정원|메시앙: 투랑갈릴라 교향곡: 7. 투랑갈릴라 2|메시앙: 투랑갈릴라 교향곡: 8. 사랑의 전개|메시앙: 투랑갈릴라 교향곡: 9. 투랑갈릴라 3|메시앙: 투랑갈릴라 교향곡: 10. 피날레|Boulez: Le Marteau sans Maître – Avant “l’Artisanat furieux”|Boulez: Le Marteau sans Maître – Commentaire I de “Bourreaux de solitude”|Boulez: Le Marteau sans Maître – “L’Artisanat furieux”|Boulez: Le Marteau sans Maître – Commentaire II de “Bourreaux de solitude”|Boulez: Le Marteau sans Maître – “Bel édifice et les pressentiments” version première|Boulez: Le Marteau sans Maître – “Bourreaux de solitude”|Boulez: Le Marteau sans Maître – Après “L’Artisanat furieux”|Boulez: Le Marteau sans Maître – Commentaire III de “Bourreaux de solitude”|Boulez: Le Marteau sans Maître – “Bel édifice et les pressentiments”, double|Stockhausen: Gruppen für drei Orchester – Werk Nr. 6|Lutoslawski: Chain 3 For Orchestra (1986) – 1. Presto|Lutoslawski: Chain 3 For Orchestra (1986) – 2. Presto|Lutoslawski: Chain 3 For Orchestra (1986) – 3. 38|Schnittke: Concerto grosso no.1 (1976-77) – 1. Preludio: Andante|Schnittke: Concerto grosso no.1 (1976-77) – 2. Toccata: Allegro|Schnittke: Concerto grosso no.1 (1976-77) – 3. Recitativo: Lento|Schnittke: Concerto grosso no.1 (1976-77) – 4. Cadenza (without tempo marking)|Schnittke: Concerto grosso no.1 (1976-77) – 5. Rondo: Agitato|Schnittke: Concerto grosso no.1 (1976-77) – 6. Postludio: Andante – Allegro – Andante|Ligeti: Chamber Concerto For 13 Instrumentalists – 1. Corrente (Fliessend)|Ligeti: Chamber Concerto For 13 Instrumentalists – 2. Calmo, sostenuto|Ligeti: Chamber Concerto For 13 Instrumentalists – 3. Movimento preciso e meccanico|Ligeti: Chamber Concerto For 13 Instrumentalists – 4. Presto|Lutoslawski: Novelette For Orchestra (1979) – 1. Announcement|Lutoslawski: Novelette For Orchestra (1979) – 2. First Event|Lutoslawski: Novelette For Orchestra (1979) – 3. Second Event|Lutoslawski: Novelette For Orchestra (1979) – 4. Third Event|Lutoslawski: Novelette For Orchestra (1979) – 5. Conclusion|Górecki: Symphony No.3 “Symphony Of Sorrowful Songs” – 1. Lento (Sostenuto tranquillo ma cantabile)|Górecki: Symphony No.3 “Symphony Of Sorrowful Songs” – 2. Lento e largo|Górecki: Symphony No.3 “Symphony Of Sorrowful Songs” – 3. Lento (Cantabile semplice)|Reich: Six Pianos|Adams: Shaker Loops – 1. Shaking and Trembling|Adams: Shaker Loops – 2. Hymning Slews|Adams: Shaker Loops – 3. Loops and Verses|Adams: Shaker Loops – 4. A Final Shaking|Glass: Concerto For Violin And Orchestra – 1. = 104 – = 120|Glass: Concerto For Violin And Orchestra – 2. = Ca. 108|Glass: Concerto For Violin And Orchestra – 3. = Ca. 150 – Coda: Poco meno = 104″ d=”Universal Music Group” e=”2013.01.01″ f=”클래식|교향/관현악|발레/무용|협주곡|오페라/성악|실내악|독주곡” g=”2245591″ t=”0″ i=”various-artists” j=”Berliner Philharmoniker|Ensemble Intercontemporain|Odon Alonso|Bob Becker|James Preiss|Charles Dutoit|Henryk Szeryng|Kazimierz Kord|Edo De Waart|Witold Lutoslawski|Friedrich Goldmann|Various Artists|Jeanne Loriod|Steve Chambers|London Symphony Orchestra|Baltimore Symphony Orchestra|Yvonne Loriod|Joanna Kozlowska|Daniel Barenboim|Teresa Berganza|Roberto Szidon|Donald McInnes|Dieter Sonntag|Robert Tear|David Zinman|Martha Argerich|John Shirley-Quirk|Chicago Symphony Orchestra|Ryland Davies|Lorin Maazel|Narciso Yepes|Yuri Smirnov|Jonathan Pegis|Arthur Fiedler|Wiener Philharmoniker|Carlo Maria Giulini|Margrit Weber|Hilary Summers|Heinrich Schiff|Pinchas Zukerman|Orchestre De L’Opera Bastille|Dale Clevenger|Kurt Hiltawsky|Michael Davis|David Atherton|English Chamber Orchestra|Walter Stangl|Rudolf Firkusny|William Steinberg|Tamas Vasary|Claudio Abbado|Ferdinand Leitner|Gidon Kremer|BBC Symphony Orchestra|London Sinfonietta|Christoph Von Dohnanyi|Steve Reich|The Boston Pops Orchestra|LaSalle Quartet|Mstislav Rostropovich|Myung-Whun Chung (정명훈)|Tatjana Grindenko|Rafael Kubelik|Russ Hartenberger|Shlomo Mintz|Marcus Creed|Herbert Von Karajan|Michael Tilson Thomas|Ozawa Seiji|Boston Symphony Orchestra|Garcia Navarro|Siegfried Stockigt|Glen Velez|Pierre Boulez|Christine Schafer|Kurt Masur|Leipzig Gewandhaus Orchestra” k=”berliner-philharmoniker|ensemble-intercontemporain|odon-alonso|bob-becker|james-preiss|charles-dutoit|henryk-szeryng|kazimierz-kord|edo-de-waart|witold-lutoslawski|friedrich-goldmann|various-artists|jeanne-loriod|steve-chambers|london-symphony-orchestra|baltimore-symphony-orchestra|yvonne-loriod|joanna-kozlowska|daniel-barenboim|teresa-berganza|roberto-szidon|donald-mcinnes|dieter-sonntag|robert-tear|david-zinman|martha-argerich|john-shirley-quirk|chicago-symphony-orchestra|ryland-davies|lorin-maazel|narciso-yepes|yuri-smirnov|jonathan-pegis|arthur-fiedler|wiener-philharmoniker|carlo-maria-giulini|margrit-weber|hilary-summers|heinrich-schiff|pinchas-zukerman|orchestre-de-l-opera-bastille|dale-clevenger|kurt-hiltawsky|michael-davis|david-atherton|english-chamber-orchestra|walter-stangl|rudolf-firkusny|william-steinberg|tamas-vasary|claudio-abbado|ferdinand-leitner|gidon-kremer|bbc-symphony-orchestra|london-sinfonietta|christoph-von-dohnanyi|steve-reich|the-boston-pops-orchestra|lasalle-quartet|mstislav-rostropovich|myung-whun-chung-jeongmyeonghun|tatjana-grindenko|rafael-kubelik|russ-hartenberger|shlomo-mintz|marcus-creed|herbert-von-karajan|michael-tilson-thomas|ozawa-seiji|boston-symphony-orchestra|garcia-navarro|siegfried-stockigt|glen-velez|pierre-boulez|christine-schafer|kurt-masur|leipzig-gewandhaus-orchestra” l=”universal-music-group” m=”keulraesig|gyohyang-gwanhyeonag|balre-muyong|hyeobjugog|opera-seongag|silnaeag|dogjugog” n=”” h=””]