[tube a=”Wiener Philharmoniker Symphony Edition Vol.2″ y=”7ySXVUYTAOk” b=”Wiener Philharmoniker” c=”Bruckner: Symphony No.1 in C Minor, WAB 101 – 1. Allegro molto moderato|Bruckner: Symphony No.1 in C Minor, WAB 101 – 2. Adagio|Bruckner: Symphony No.1 in C Minor, WAB 101 – 3. Scherzo|Bruckner: Symphony No.1 in C Minor, WAB 101 – 4. Finale. Bewegt, feurig|Bruckner: Symphony No. 4 in E-Flat Major – “Romantic”, WAB 104 – Version 1878/1880 – 1. Bewegt, nicht zu schnell|Bruckner: Symphony No. 4 in E-Flat Major – “Romantic”, WAB 104 – Version 1878/1880 – 2. Andante quasi allegretto|Bruckner: Symphony No. 4 in E-Flat Major – “Romantic”, WAB 104 – Version 1878/1880 – 3. Scherzo (Bewegt) – Trio (Nicht zu schnell. Keinesfalls schleppend)|Bruckner: Symphony No. 4 in E-Flat Major – “Romantic”, WAB 104 – Version 1878/1880 – 4. Finale (Bewegt, doch nicht zu schnell)|Bruckner: Symphony No. 5 in B-Flat Major, WAB 105 – 1. Introduction: Adagio – Allegro (Live)|Bruckner: Symphony No. 5 in B-Flat Major, WAB 105 – 2. Sehr langsam (Live)|Bruckner: Symphony No. 5 in B-Flat Major, WAB 105 – 3. Scherzo: Molto vivace – Trio (Live)|Bruckner: Symphony No. 5 in B-Flat Major, WAB 105 – 4. Finale: Adagio – Allegro molto (Live)|Bruckner: Symphony No.7 In E Major – Ed. Haas – 1. Allegro moderato|Bruckner: Symphony No.7 In E Major – Ed. Haas – 2. Adagio. Sehr feierlich und sehr langsam|Bruckner: Symphony No.7 In E Major – Ed. Haas – 3. Scherzo. Sehr schnell – Trio. Etwas langsamer|Bruckner: Symphony No.7 In E Major – Ed. Haas – 4. Finale. Bewegt, doch nicht schnell|브루크너: 교향곡 8번 다단조: 1. Allegro moderato|브루크너: 교향곡 8번 다단조: 2. Scherzo: Allegro moderato|브루크너: 교향곡 8번 다단조: 3. Adagio: Feierlich langsam; doch nicht schleppend|브루크너: 교향곡 8번 다단조: 4. Finale: Feierlich, nicht schnell|Bruckner: Symphony No. 9 In D Minor, WAB 109 – Edition: Leopold Nowak – 1. Feierlich, Misterioso (Live)|Bruckner: Symphony No. 9 In D Minor, WAB 109 – Edition: Leopold Nowak – 2. Scherzo. Bewegt, lebhaft – Trio. Schnell (Live)|Bruckner: Symphony No. 9 In D Minor, WAB 109 – Edition: Leopold Nowak – 3. Adagio. Langsam, feierlich (Live)|차이콥스키: 교향곡 4번 바단조, 작품번호 36: 1. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo|차이콥스키: 교향곡 4번 바단조, 작품번호 36: 2. Andantino in modo di canzone|차이콥스키: 교향곡 4번 바단조, 작품번호 36: 3. Scherzo. Pizzicato ostinato – Allegro|차이콥스키: 교향곡 4번 바단조, 작품번호 36: 4. Finale (Allegro con fuoco)|Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29 – 1. Andante – Allegro con anima|Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29 – 2. Andante cantabile, con alcuna licenza – Moderato con anima|Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29 – 3. Valse (Allegro moderato)|Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29 – 4. Finale (Andante maestoso – Allegro vivace)|Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 – 1. Adagio – Allegro non troppo|Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 – 2. Allegro con grazia|Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH.30 – 3. Allegro molto vivace|Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 – 4. Finale (Adagio lamentoso – Andante)|Dvořák: Symphony No.6 in D, Op.60 – 1. Allegro non tanto|Dvořák: Symphony No.6 in D, Op.60 – 2. Adagio|Dvořák: Symphony No.6 in D, Op.60 – 3. Scherzo (Furiant: Presto)|Dvořák: Symphony No.6 in D, Op.60 – 4. Finale (Allegro con spirito)|드보르작: 교향곡 7번 라단조, 작품번호 70: 1. Allegro maestoso|드보르작: 교향곡 7번 라단조, 작품번호 70: 2. Poco adagio|드보르작: 교향곡 7번 라단조, 작품번호 70: 3. Scherzo (Vivace)|드보르작: 교향곡 7번 라단조, 작품번호 70: 4. Finale (Allegro)|Dvořák: Symphony No.8 in G, Op.88 – 1. Allegro con brio|Dvořák: Symphony No.8 in G, Op.88 – 2. Adagio|Dvořák: Symphony No.8 in G Major, Op.88, B.163 – 3. Allegretto grazioso – Molto vivace|Dvořák: Symphony No.8 in G, Op.88 – 4. Allegro ma non troppo|Dvořák: Symphony No.9 In E Minor, Op.95 “From The New World” – 1. Adagio – Allegro Molto|Dvořák: Symphony No.9 In E Minor, Op.95 “From The New World” – 2. Largo|Dvořák: Symphony No.9 In E Minor, Op.95 “From The New World” – 3. Scherzo (Molto Vivace)|Dvořák: Symphony No.9 In E Minor, Op.95 “From The New World” – 4. Allegro Con Fuoco|말러: 교향곡 2번 다단조 ‘부활’: Mit durchaus ernstem und feierlichem Ausdruck|말러: 교향곡 2번 다단조 ‘부활’: Sehr mäßig und zurückhaltend|말러: 교향곡 2번 다단조 ‘부활’: Schnell|말러: 교향곡 2번 다단조 ‘부활’: Tempo I|말러: 교향곡 2번 다단조 ‘부활’: Tempo sostenuto|말러: 교향곡 2번 다단조 ‘부활’: Sehr gemächlich|말러: 교향곡 2번 다단조 ‘부활’: Nicht eilen. Sehr gemächlich|말러: 교향곡 2번 다단조 ‘부활’: In Tempo I zurückkehren|말러: 교향곡 2번 다단조 ‘부활’: Energisch bewegt|말러: 교향곡 2번 다단조 ‘부활’: Wieder ins Tempo zurückgehen. TempoI|말러: 교향곡 2번 다단조 ‘부활’: In ruhiger fließender Bewegung|말러: 교향곡 2번 다단조 ‘부활’: Sehr getragen und gesangvoll|말러: 교향곡 2번 다단조 ‘부활’: Zum Tempo I zurückkehren|말러: 교향곡 2번 다단조 ‘부활’: Sehr feierlich, aber schlicht – “O Röslein rot”|말러: 교향곡 2번 다단조 ‘부활’: Im Tempo des Scherzos|말러: 교향곡 2번 다단조 ‘부활’: Langsam|말러: 교향곡 2번 다단조 ‘부활’: Am Anfang sehr zurückgehalten|말러: 교향곡 2번 다단조 ‘부활’: Wieder sehr breit|말러: 교향곡 2번 다단조 ‘부활’: Molto ritenuto. Maestoso|말러: 교향곡 2번 다단조 ‘부활’: Wieder zurückhaltend|말러: 교향곡 2번 다단조 ‘부활’: Sehr langsam und gedehnt|말러: 교향곡 2번 다단조 ‘부활’: Langsam. Misterioso – “Auferstehen, ja auferstehen wirst du gesät”|말러: 교향곡 2번 다단조 ‘부활’: Langsam ppp. Nicht schleppen – “Wieder aufzublühn wirst du gesät”|말러: 교향곡 2번 다단조 ‘부활’: Etwas bewegter – “O glaube, mein Herz, o glaube”|말러: 교향곡 2번 다단조 ‘부활’: Mit Aufschwung, aber nicht eilen – “O Schmerz, du Alldurchdringer”|말러: 교향곡 3번 라단조 / 1부: 1. Kräftig. Entschieden|말러: 교향곡 3번 라단조 / 1부: 1. – Langsam. Schwer|말러: 교향곡 3번 라단조 / 1부: 1c. – Tempo I|말러: 교향곡 3번 라단조 / 1부: 1. – a tempo|말러: 교향곡 3번 라단조 / 1부: 1. – Immer dasselbe Tempo. (Marsch.) Nicht eilen|말러: 교향곡 3번 라단조 / 1부: 1. – Im alten Marschtempo (Allegro Moderato)|말러: 교향곡 3번 라단조 / 1부: 1g. – Tempo I|말러: 교향곡 3번 라단조 / 2부: 2. Tempo di minuetto. Sehr mäßig|말러: 교향곡 3번 라단조 / 2부: 2. – A tempo. (Wie im Anfang)|말러: 교향곡 3번 라단조 / 2부: 2. – Ganz ploetzlich gemaechlich. Tempo di Menuetto|말러: 교향곡 3번 라단조 / 2부: 3. Comodo. Scherzando. Ohne Hast|말러: 교향곡 3번 라단조 / 2부: 3.- Wieder sehr gemaechlich, wie zu Anfang|말러: 교향곡 3번 라단조 / 2부: 3.- Sehr gemächlich (Posthorn)|말러: 교향곡 3번 라단조 / 2부: 3.- Tempo I|말러: 교향곡 3번 라단조 / 2부: 3.- Wieder sehr gemaechlich, beinahe langsam|말러: 교향곡 3번 라단조 / 2부: 4. Sehr langsam. Misterioso: “O Mensch! Gib acht!” ‘O Mensch! Gib acht’|말러: 교향곡 3번 라단조 / 2부: 4.- Più mosso subito|말러: 교향곡 3번 라단조 / 2부: 5. Lustig im Tempo und keck im Ausdruck: “Bimm Bamm. Es sungen drei Engel”|말러: 교향곡 3번 라단조 / 2부: 6. Langsam. Ruhevoll. Empfunden|말러: 교향곡 3번 라단조 / 2부: 6.- Nicht mehr so breit|말러: 교향곡 3번 라단조 / 2부: 6.- Tempo I. Ruhevoll|말러: 교향곡 3번 라단조 / 2부: 6.- a tempo (Etwas bewegter)|말러: 교향곡 3번 라단조 / 2부: 6.- Tempo I|말러: 교향곡 3번 라단조 / 2부: 6.- Langsam. Tempo I|말러: 교향곡 4번 사장조: 1. Bedächtig. Nicht eilen – Recht gemächlich|말러: 교향곡 4번 사장조: 2. In gemächlicher Bewegung. Ohne Hast|말러: 교향곡 4번 사장조: 3. Ruhevoll (Poco adagio)|말러: 교향곡 4번 사장조: 4. Sehr behaglich: “Wir genießen die himmlischen Freuden”|Mahler: Symphony No. 5 in C-Sharp Minor / Pt. 1 – 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt – Plötzlich schneller. Leidenschaftlich. Wild – Tempo I) (Live)|Mahler: Symphony No. 5 in C-Sharp Minor / Pt. 1 – 2. Stürmisch bewegt. Mit größter Vehemenz – Bedeutend langsamer – Tempo I subito (Live)|Mahler: Symphony No. 5 in C-Sharp Minor / Pt. 2 – 3. Scherzo (Kräftig, nicht zu schnell) (Live)|Mahler: Symphony No. 5 in C-Sharp Minor / Pt. 3 – 4. Adagietto (Live)|Mahler: Symphony No. 5 in C-Sharp Minor / Pt. 3 – 5. Rondo-Finale (Allegro) (Live)|Mahler: Symphony No.6 In A Minor – 1. Allegro energico, ma non troppo. Heftig aber Markig|Mahler: Symphony No.6 In A Minor – 2. Scherzo (Wuchtig)|Mahler: Symphony No.6 In A Minor – 3. Andante moderato|Mahler: Symphony No.6 In A Minor – 4. Finale (Allegro moderato)|Mahler: Symphony No.10 In F Sharp (Unfinished) – Andante – Adagio|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Veni creator spiritus” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Imple superna gratia” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Infirma nostri corporis” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – Tempo I. (Allegro, etwas hastig) (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Infirma nostri corporis” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Accende lumen sensibus” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Veni, creator spiritus” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 1 – “Gloria sit Patri Domino” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – Poco adagio (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – Più mosso (Allegro moderato) (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Waldung, sie schwankt heran” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Ewiger Wonnebrand” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Wie Felsenabgrund mir zu Füßen” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Gerettet ist das edle Glied” – “Hände verschlinget” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Jene Rosen, aus den Händen” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Uns bleibt ein Erdenrest” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Ich spür’ soeben” – “Freudig empfangen wir” – “Hier ist die Aussicht frei” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Höchste Herrscherin der Welt” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Dir, der Unberührbaren” – “Du schwebst zu Höhen” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Bei der Liebe” – “Bei dem Bronn” – Bei dem hochgeweihten Orte” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Neige, neige, du Ohnegleiche” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Er überwächst uns schon” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Komm! hebe dich zu höhern Sphären” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Blicket auf zum Retterblick” (Live)|Mahler: Symphony No. 8 in E-Flat Major “Symphony of a Thousand” / Pt. 2 – “Alles Vergängliche” (Live)|말러: 교향곡 9번 라장조: Andante comodo|말러: 교향곡 9번 라장조: Etwas frischer|말러: 교향곡 9번 라장조: Tempo I. subito|말러: 교향곡 9번 라장조: Mit Wut. Allegro risoluto|말러: 교향곡 9번 라장조: Leidenschaftlich|말러: 교향곡 9번 라장조: Schattenhaft|말러: 교향곡 9번 라장조: Etwas fliessender|말러: 교향곡 9번 라장조: Wie von Anfang|말러: 교향곡 9번 라장조: Schon ganz langsam|말러: 교향곡 9번 라장조: Im Tempo eines gemaechlichen Laendlers.Etwas taeppisch und sehr derb (Live At Grosser Saal, Konzerthaus, Vienna / 1987)|말러: 교향곡 9번 라장조: Poco più mosso subito (Tempo II)|말러: 교향곡 9번 라장조: Tempo III|말러: 교향곡 9번 라장조: A tempo II|말러: 교향곡 9번 라장조: Tempo I|말러: 교향곡 9번 라장조: Tempo II|말러: 교향곡 9번 라장조: 8 bars before “Tempo I subito”|말러: 교향곡 9번 라장조: Rondo-Burleske. Allegro assai. Sehr trotzig|말러: 교향곡 9번 라장조: L’istesso tempo (I)|말러: 교향곡 9번 라장조: Sempre l’istesso tempo|말러: 교향곡 9번 라장조: L’istesso tempo (II)|말러: 교향곡 9번 라장조: (Clarinets)|Mahler: Symphony No.9 in D / 3. Satz – Tempo I subito|Mahler: Symphony No.9 in D / 3. Satz – Più stretto|말러: 교향곡 9번 라장조: Adagio. Sehr langsam und noch zurueckhaltend|말러: 교향곡 9번 라장조: Ploetzlich wieder sehr langsam (wie zu Anfang) und etwas zoegernd|말러: 교향곡 9번 라장조: Molto adagio subito|말러: 교향곡 9번 라장조: a tempo (Molto adagio)|말러: 교향곡 9번 라장조: Stets sehr gehalten|말러: 교향곡 9번 라장조: Fliessender, doch durchaus nicht eilend|말러: 교향곡 9번 라장조: Tempo I. Molto adagio|말러: 교향곡 9번 라장조: Adagissimo|Sibelius: Symphony No.1 In E Minor, Op.39 – 1. Andante, ma non troppo – Allegro energico (Live)|Sibelius: Symphony No.1 In E Minor, Op.39 – 2. Andante (ma non troppo lento) (Live)|Sibelius: Symphony No.1 In E Minor, Op.39 – 3. Scherzo (Allegro) (Live)|Sibelius: Symphony No.1 In E Minor, Op.39 – 4. Finale (Quasi una fantasia) (Live)|Sibelius: Symphony No.5 In E Flat, Op.82 – 1. Tempo molto moderato – Largamente – (Live)|Sibelius: Symphony No.5 In E Flat, Op.82 – Allegro moderato – Presto (Live)|Sibelius: Symphony No.5 In E Flat, Op.82 – 2. Andante mosso, quasi allegretto (Live)|Sibelius: Symphony No.5 In E Flat, Op.82 – 3. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai (Live)|Sibelius: Symphony No.2 In D, Op.43 – 1. Allegretto – Poco allegro – Tranquillo, ma poco a poco ravvivando il tempo al allegro (Live)|Sibelius: Symphony No.2 In D, Op.43 – 2. Tempo andante, ma rubato – Andante sostenuto (Live)|Sibelius: Symphony No.2 In D, Op.43 – 3. Vivacissimo – Lento e suave – Largamente (Live)|Sibelius: Symphony No.2 In D, Op.43 – 4. Finale (Allegro moderato) (Live)|Sibelius: Symphony No.7 In C, Op.105 – Adagio – (Live)|Sibelius: Symphony No.7 In C, Op.105 – Un pochettino meno adagio – Poco a poco affrettando il tempo al Vivacissimo (Live)|Sibelius: Symphony No.7 In C, Op.105 – 5 bars before: Poco rallentando all’ Adagio – Poco a poco meno lento all’ (Live)|Sibelius: Symphony No.7 In C, Op.105 – Allegro molto moderato – Poco a poco meno moderato – (Live)|Sibelius: Symphony No.7 In C, Op.105 – 2 bars before: Vivace – Presto – Poco a poco rallentando all’ Adagio – Largamente molto – Affettuoso – Tempo I (Live)|Shostakovich: Symphony No.6 In B Minor, Op.54 – 1. Largo (Live)|Shostakovich: Symphony No.6 In B Minor, Op.54 – 2. Allegro (Live)|Shostakovich: Symphony No.6 In B Minor, Op.54 – 3. Presto (Live)|Shostakovich: Symphony No.9 In E Flat, Op.70 – 1. Allegro (Live)|Shostakovich: Symphony No.9 In E Flat, Op.70 – 2. Moderato (Live)|Shostakovich: Symphony No.9 In E Flat, Op.70 – 3. Presto – (Live)|Shostakovich: Symphony No.9 In E Flat, Op.70 – 4. Largo – (Live)|Shostakovich: Symphony No.9 In E Flat, Op.70 – 5. Allegretto (Live)” d=”Universal Music Group” e=”2012.01.01″ f=”클래식|교향/관현악” g=”2171977″ t=”0″ i=”wiener-philharmoniker” j=”Jessye Norman|Trudeliese Schmidt|Cheryl Studer|Uwe Theimer|Frederica Von Stade|Judith Blegen|Carlo Maria Giulini|Walter Hagen-Groll|Arnold Schoenberg Chor|Kenneth Riegel|Pierre Boulez|Wiener Philharmoniker|Wiener Singverein|Hermann Prey|Herbert Von Karajan|Various Artists|Margaret Price|Friedrich Pfeiffer|Erwin Ortner|Leonard Bernstein|Agnes Baltsa|Jose Van Dam|Myung-Whun Chung (정명훈)|Claudio Abbado|Lorin Maazel|Gerhart Hetzel|Helmut Froschauer|Gerti Zeumer|Wiener Sangerknaben|Waltraud Meier|Rudolf Scholz” k=”jessye-norman|trudeliese-schmidt|cheryl-studer|uwe-theimer|frederica-von-stade|judith-blegen|carlo-maria-giulini|walter-hagen-groll|arnold-schoenberg-chor|kenneth-riegel|pierre-boulez|wiener-philharmoniker|wiener-singverein|hermann-prey|herbert-von-karajan|various-artists|margaret-price|friedrich-pfeiffer|erwin-ortner|leonard-bernstein|agnes-baltsa|jose-van-dam|myung-whun-chung-jeongmyeonghun|claudio-abbado|lorin-maazel|gerhart-hetzel|helmut-froschauer|gerti-zeumer|wiener-sangerknaben|waltraud-meier|rudolf-scholz” l=”universal-music-group” m=”keulraesig|gyohyang-gwanhyeonag” n=”” h=””]