[tube a=”The Art of Orchestral Music” y=”yE0Ow2LgbZI” b=”Various Artists” c=”The Valkyrie, WWW 86b: Ride of the Valkyries|Egmont, Op. 84: Overture. Sostenuto, ma non troppo – Allegro – Allegro con brio|Symphony No. 40 in G Minor, K. 550: IV. Allegro assai|Symphonie n9 en re mineur, Op. 125: I. Allegro ma non troppo, un poco maestoso|Symphonie n9 en re mineur, Op. 125: II. Molto vivace / Presto|Symphonie n9 en re mineur, Op. 125: III. Adagio molto e cantabile / Andante moderato|Symphonie n9 en re mineur, Op. 125: IV. Presto / Allegro assai / Alla marcia / Andante maestoso, Adagio ma non troppo, ma divoto / Allegro energico, sempre ben marcato / Allegro ma non tanto / Prestissimo|Symphony No. 2, D. 125: I. Largo – Allegro vivace|Symphony No. 2, D. 125: II. Andante|Symphony No. 2, D. 125: III. Menuetto. Allegro vivace – Trio|Symphony No. 2, D. 125: IV. Presto|Swan Lake Suite, Op. 20a, TH 219: I. Scene No. 10 from Act II (2nd Version)|Swan Lake Suite, Op. 20a, TH 219: II. Valse (2nd Version)|Swan Lake Suite, Op. 20a, TH 219: III. Danse des cygnes (2nd Version)|Symphony No. 1 in D Major ‘Titan’: I. Langsam. Schleppend|Symphony No. 1 in D Major ‘Titan’: II. Kraftig bewegt, doch nicht zu Schnell|Symphony No. 1 in D Major ‘Titan’: III. Feierlich und gemessen, ohne zu schleppen|Symphony No. 1 in D Major ‘Titan’: IV. Sturmisch bewegt|Symphonie fantastique in C Minor, Op. 14, H 48: I. Reveries-Passions. Largo – Allegro agitato e appassionata assai – Religiosamente|Symphonie fantastique in C Minor, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo|Symphonie fantastique in C Minor, Op. 14, H 48: III. Scene aux champs. Adagio|Le Beau Danube Bleu, Op. 314|Der fliegende Hollander|Concerto In G Minor for Violin, String Orchestra and Continuo, Op. 8, No. 2, RV 315, ‘L’estate’ (L’Ete). Allegro non molto|Concerto In G Minor for Violin, String Orchestra and Continuo, Op. 8, No. 2, RV 315, ‘L’estate’ (L’Ete). Adagio|Concerto In G Minor for Violin, String Orchestra and Continuo, Op. 8, No. 2, RV 315, ‘L’estate’ (L’Ete). Presto, Tempo impetuoso d’estate|Orchestral Suite No. 2, BWV 1067: Polonaise|Orchestral Suite No. 2, BWV 1067: Menuet|Orchestral Suite No. 2, BWV 1067: Badinerie|Tristan et Isolde (Arr. by Jean-Pierre Arnaud)|Concerto pour violoncelle en la mineur, Op. 129: I. Nicht zu schnell|Concerto pour violoncelle en la mineur, Op. 129: II. Langsam|Concerto pour violoncelle en la mineur, Op. 129: III. Sehr lebhaft|Double concerto pour violon et violoncelle en la mineur, Op. 102: I. Allegro (2004)|Double concerto pour violon et violoncelle en la mineur, Op. 102: II. Andante (2004)|Double concerto pour violon et violoncelle en la mineur, Op. 102: III. Vivace non troppo (2004)|Symphony No. 18 in F Major, K. 130: I. Allegro|Symphony No. 18 in F Major, K. 130: II. Andantino grazioso|Symphony No. 18 in F Major, K. 130: III. Menuetto e trio|Symphony No. 18 in F Major, K. 130: IV. Allegro molto” d=”(주)플럭서스” e=”2018.07.31″ f=”클래식” g=”5452257″ t=”0″ i=”various-artists” j=”Barbara Decker|Ensemble Carpe Diem|Paul Kuentz|London Festival Orchestra|Alfred Scholtz|Henner Leyhe|Orchestre de l’Opera de Vienne|Anton Nanut|Vladimir Fedoseyev|London Symphony Orchestra|Jean-Marie Gamard|Mozart Festival Orchestra|Christine Zoller|Ernest Bour|Jean-Pierre Arnaud|Suddeutsche Philharmonie|Philip Langshaw|Orchestre Paul Kuentz|Evgeny Cherkasov|Alberto Lizzio|Antonio Vivaldi|Various Artists” k=”barbara-decker|ensemble-carpe-diem|paul-kuentz|london-festival-orchestra|alfred-scholtz|henner-leyhe|orchestre-de-l-opera-de-vienne|anton-nanut|vladimir-fedoseyev|london-symphony-orchestra|jean-marie-gamard|mozart-festival-orchestra|christine-zoller|ernest-bour|jean-pierre-arnaud|suddeutsche-philharmonie|philip-langshaw|orchestre-paul-kuentz|evgeny-cherkasov|alberto-lizzio|antonio-vivaldi|various-artists” l=”ju-peulreogseoseu” m=”keulraesig” n=”” h=””]